The Score Magazine February 2018 issue! | Page 52

APX Series and CPX Series Take the stage by storm As an electric guitarist in the mid-1980s, if you wanted to play acoustic on stage there were few options for you that really worked - and certainly nothing that was designed with you in mind. After talking to guitarists playing gigs of all sizes about what they really needed for a stage acoustic, Yamaha decided to make the first acoustic guitar that could be taken from a guitar rack, plugged in and played at volume – problem free. And so APX was born – designed to meet the tonal needs of both the guitarist and the band as a whole. No more howling feedback, misplaced mics or the dreaded extended sound check…. CPX Series The medium-jumbo body CPX delivers an open, modern tone with powerful, rich low-end, smooth, delicate highs, and sweet mids. Non-scalloped X-type bracing ensures a strong, rich acoustic tone that remains clear and usable on stage APX Sound hole: Oval And being designed for electric guitarists, it wasn’t just the sound that was the focus on the APX - every element was tweaked to be an easy switch on-stage, from the stylish finishes to the cutaway body and the slim, electric-guitar style neck. Body depth and Bracing pattern The instantly recognizable APX sound hole thickens lower- mid response and gives a more strident, open low end. CPX Sound hole: Round APX Series The APX’s thin-line body offers incredible comfort, top- fret access, and a sound perfect for on-stage use. Specially designed non-scalloped X-type bracing maximizes body resonance for full, natural tone. Their wide dynamic range, excellent sensitivity, and outstanding clarity make them impressive performers. 50 The Score Magazine highonscore.com CPX’s conventional round sound hole focuses the midrange, while controlling bass, for a direct, powerful sound.