The Score Magazine August 2019 issue! | Page 36

SHREYA BOSE AMOGH SYMPHONY Depending on the album or track, you could transpose the music of Amogh Symphony to a rock opera, a New French Extremity film or a meditation tape for headbangers. Avant-garde might seem like a pallid descriptor, but it hints at the innumerable musical influences and specters that hover in their work. It’s easy to intellectualize their music, given its genre-bending meanderings. But the stories told in each song are immensely colorful and to the rightly inclined listener, they reveal equal measures of ecstasy and despondence. These songs require only the most devoted attention, and will do nothing for a passing listen. The band is a collection of different minded individuals who find common ground in their particular brand of strange thought. They also frequently collaborate with equally eclectic musicians, always creating sounds which challenge, intrigue and sometimes intimidate. 34 The Score Magazine highonscore.com While you don’t label your work, how would you talk about it to someone approaching it for the first time? Honestly, I would leave this to the fans and listeners. I am cool with whatever they call it. The music has no limit. All it needs is an open mind. If you treated Amogh Symphony’s music as a metaphor, it would be a complex, unbreakable creation that brings varied types of people, ethnicities, cultures under one giant roof, where language has no alphabets and no scriptures. As long