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Conclusion Convergence. Stewardship. Expansion. These three themes of th nd-of- erm eport encapsulate the key approaches through which the OVCRD, under the leadership of Vice-Chancellor Benito M. Pacheco, pursued its mandate of promoting and enhancing research and creative work by, and in, UP Diliman during the administration of Chancellor Caesar A. Saloma. In turn, these three processes articulate the ethos upon which OVCRD’s initiatives re based: to be inclusive, proactive, and innovative. Inclusiveness is the driving spirit of Convergence, envisioned to result in a heightened appreciation of the interconnectedness of research and creative work, of art and science, and of different disciplines that have been conventionally viewed as separate and distinct. Multi- and cross-disciplinal collaborations have been a feature of R&D in the University; the challenge was how to increase and strengthen these collaborations. The OVCRD responded to this challenge in two main ways. First, it provided more venues for information sharing and dialogue among researchers and creative workers, which included colloquia, public exhibitions, publications, and audio-visual presentations. Researchers, creative workers, and specialists from different disciplines came together, exchanged experiences and insights, and explored future partnerships. The OVCRD facilitated the latter through its second response – that of increasing the number and amount of grants for research and creative work. Inclusiveness also meant addressing the challenge of giving greater visibility to two groups of R&D stakeholders: the creative workers and the REPS. In line with this, the OVCRD launched Stewardship and Expansion initiatives that allowed more creative workers to avail of the Creative Work Load Credit (CWLC) and the Research Dissemination Grant (RDG). Meanwhile, for the REPS, an additional award – besides the Gawa