MAQ/November 2018 / 07
Roberto Denti, in this sense, represents a real ending point of arrival. Author of avant-garde and at the same time heir of the extraordinary Italian figurative tradition, he creates fragments of pictorial and architectural monuments and it underlines the hidden meanings, not isolating them with a packaging - How could make the Bulgarian Christo -, but multiplying them in a Borgesian game of mirrors.
Roberto Denti, photo from 1982, entitled "The plebeian chair"