The materials
For all the above reasons, I am using materials consubstantial with the concepts that
are being investigated. My aim is to create a protective grid, from all these
situations. Every single one, from the least to the greatest, affects us and for this
reason we are putting up our own barriers. These are conditions in our psyche that
even now, science is unable to give a definite explanation. There is a fluidity on the
diagnosis and the homeostasis due to entropy, which in turn leads to more efforts to
reduce tension and organizational tendencies. The brain as an organ, where all the
processes of our body take place, is for me a field of study that needs further
research in order to be understood and for this reason I attempt to reconstruct its
space. I maintain the strict structures of the materials, however, they tend to be
more fluid. The string is the limit- line that when it is multiplied, it oscillates, giving a
sense of a continuous flow. These lines pervade the knots and extend further to the
space. The removal of the restrictions and the reduction of tension intensifies the
homogeneity. The morphic simplicity, represents a final equilibrium state, in spite of
the fact that the entire project is composed by two opposing materials. The surface
of the artwork is characterized by dualism, starting from the textures and extending
to the exterior. The two sides have the same aesthetic value, with similar qualities.
The grid, although it acts as a barrier, as a surface that aims to give a certain
structure, is simultaneously transparent and thus, allowing the space to penetrate
into the project. But when it becomes part of the artwork, it is integrated and
changes its properties. This restriction is only to the extent that we attach. The
organicity intensifies the spasm of the project. It a body that reacts, moves and
flows. A place that comes alive and stands against the space. The mind endows the
body with meaning because the feelings consist a key element of the cognitive
processes.
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