The Humor Mill April 2017 | Page 52

Brown Bettie Knows Best ~ I may not be funny, but I sure know what is. Y' know how it's funny as shit to watch 70s movies like Shaft or Every Which Way But Loose and in the mandatory big Chevy Impala chase scene, an old white-haired lady is caught in the middle of the street and tumbles over the hood of the Chevy, groceries flying, only to find that if you s-l-o-w down the movie and watch it frame-by-frame, you will see how the tumbling white lady is actually a burly stunt double; in fact, a big black man with a mustache? Well, that shit is funny until it happens right in front of your FACE! The other day, I was riding up the metro escalator at Mustek (Green) in Prague. I’ve been here a year now and in this land where personal space is not exactly a thing, I like to create my own. Especially on the escalator. Pavel will absently bump you with his briefcase from behind with nary a "Pardon" or Honza and Bara will be sucking each other's faces off right in front of you as though they were on take number five of an Orbit gum commercial. So I've started giving one step of space in front, minimum; more, if I can. Alternatively, I've noticed something about myself. Sometimes I get too close. I get close because I want to be noticed and I don't want to give people, strangers specifically, the opportunity to push me away. (The opposite is true with family and close, close friends. Sometimes I push them away because I can't handle the demanding intimacy of all that closeness! This then prompts emails and texts from my dad that end in, "Stay close, 'Roni".) Also, I've realized I get close with the children I teach. I don't have the language to use to participate in their lives, to connect with them, especially when we play. So, I get close. I hug, or I grab noses. They sense my clinginess; they don't like it and they do, they literally push me away. Or with my adults, my peer-evaluator gave me feedback that maybe I smile too much, maybe I'm open toooo much. So, I've been trying to give more space. To close off my openness. To be okay in my own space and not need others to fill it with something. To just go unnoticed sometimes. To not be so close. So. An older, slightly-balding, white-haired lady with a short, layered haircut like your Aunt Martha (on your mother's side) was in front of me. As our steep ascent began, like the beginning of a roller coaster ride, I watched and saw how she gingerly held the arm of an older man; we'll call him Uncle Stu. Aunt Martha and Uncle Stu have been together for a while now, as they usually are, and their non-verbal communication is great, until it ain't. Martha and Stu were about three stairs in front of me because when they got on the escalator, I had mechanically moved on back to allow for my space. As we rode along, Aunt Martha turned to the side and I saw her profile. In that moment, I remember thinking, "I should move a little closer." I think I thought this because I had caught something a little vacant in Aunt Martha's eye. A cloudy nothingness, let's say. Or maybe I saw her fingers gently slip away like water from Uncle Stu's arm, unbeknownst to him. Believe me, I wish I had fol lowed my instincts because in slow-motion, frame-by-frame real life, Aunt Martha started to topple backwards, toward me. I heard myself shouting, "Hey! Hey! Pozor. Počkejte!" As I tried to do something, but my own arms were jumbled with my heavy camouflage book bag and a Tesco shopping bag full of supplies for the show and the Brown Betties workshop.