The Human Condition: The Stephen and Pamela Hootkin Collection Sept. 2014 | Page 173

Beatrice Wood, Goblet, 1987.

*John Roloff, Untitled no. 79,
1979, clay, 8 x 50 x 6 in.
*John Roloff, Land Monitor Elevated,
1980, clay, 5 x 48 x 7 in.
John Roloff, Untitled White Ship
no. 93, 1981, clay, 9 x 53 x 9 in.
*John Roloff, Night Ship/Mined Hull/
The Frozen Sea, 1985, ceramic, fused
silica, oxides, plexiglass, and wood
case, 18 x 57 x 10 in. (in enclosure)
*Adrian Saxe, Untitled (Black Antelope
Jar), 1984–1985, stoneware and
porcelain, 23 ½ x 13 x 11 in.
Adrian Saxe, Untitled Bowl with Stand
(The Mallard), 1986, porcelain, raku
glaze, and gold luster, 7 ¾ x 8 x 5 ½ in.
Adrian Saxe, Cabbage Teapot,
1989, porcelain, 9 ½ x 8 x 4 in.
Adrian Saxe, Untitled, 1994, porcelain
and mixed media, 19 x 13 x 8 ½ in.
*Elise Siegel, Twenty-four Feet, 2004,
ceramic, aqua resin, paint, fabric,

Peter Vandenberge, The Bird Watcher,
1981, stoneware and slips, 35 x 17 ½ x 16 in.
*Kukuli Velarde, Amores que Matan
(Loves that Kill), 1993, clay and engobe,
20 x 14 x 9 in.
*Kukuli Velarde, Virgin Bride II,
from the series Isichapuitu, 1998,
ceramic, 22 x 20 x 14 in.
*Kukuli Velarde, Yo Amamantando Amores,
from the series Isichapuitu, 1998,

*Daisy Youngblood, Bird Woman, 1980,
graphite on paper, 25 x 19 ¼ in.
*Daisy Youngblood, Tied Goat, 1983,
low-fired clay and wood, 6 x 31 ½ x 20 in.
*Daisy Youngblood, Brahmin Bull, 1987,
low-fired clay and wood, 15 x 24 x 12 in.
*Daisy Youngblood, Romana, 1987,
low-fired clay, 21 ¼ x 8 x 9 in.
Daisy Youngblood, Vertical Horse, 1990,
clay and wood, 14 ½ x 3 ¾ x 7 ¾ in.

ceramic and gold leaf, 22 x 16 x 11 in.
*Kukuli Velarde, Vergüenza (Shame),
from the series Isichapuitu, 1999,
ceramic and stains, 20 ½ x 16 x 14 in.
*Kukuli Velarde, Sta Chingada: The Perfect
Little Woman, from the series Cadavers,
2006, oil on steel, 74 ¼ x 48 x 3 in.
*Patti Warashina, Who Said I Couldn’t Fly,
1979, porcelain, 21 ¼ x 25 ½ x 25 ½ in.
Kurt Weiser, Lidded Jar, 1992,

Arnie Zimmerman, Teapot, 1985,
ceramic, 11 ½ x 10 ¾ x 5 ½ in.
Arnie Zimmerman, Small Column,
1987, ceramic, 31 in. height
Arnie Zimmerman, Untitled (Large
Columns), 1988, stoneware and granite,
112 x 35 x 35 in. (each of two columns)
*Arnie Zimmerman, The Fools’ Congress,
Part 2, 1998–1999, terra-cotta, wood,
metal, and epoxy, 77 x 144 x 50 in.

cast porcelain and china paint,
17 ½ x 9 ½ x 5 ½ in.

and wood, 33 x 12 ½ x 23 in.
(approximate, each of twelve chairs)

Kurt Weiser, Lidded Vessel, 1992,
cast porcelain and china paint,

*Charles Simonds, Growing Towers,

17 ¼ x 10 x 5 ½ in.

1983, unfired clay, 18 x 24 x 24 in.
Susanne G. Stephenson, Vase Form,
1984, porcelain, 17 ½ x 10 x 8 ½ in.
*Lee Stoliar, Completer, 1988, waxed
terra-cotta and wood, 9 ¼ x 21 x 6 in.
Sun Koo Yuh, Let Me See, 2006,
porcelain and glaze, 20 x 12 x 12 in.
Akio Takamori, Man in Love, 1987,
porcelain, 18 x 13 ½ x 7 in.
*Akio Takamori, Sleeping Woman in
Pink and Blue Dress, 2013, stoneware
and underglazes, 11 x 37 x 32 in.

Beatrice Wood, Goblet, 1987,
earthenware and luster glaze,
13 ¼ x 6 ¼ x 6 ¼ in.
Beatrice Wood, Teapot, 1988,
earthenware and luster glaze,
11 x 9 x 5 ½ in.
Betty Woodman, Three Vases, ca.
1983, stoneware, (orange) 20 x 14
x 6 ¼ in.; (blue) 17 ½ x 15 x 7 in.;
(green) 20 x 14 ½ x 6 ¾ in.
*William Wyman, Temple no. 15,
1977, whiteware, 22 x 29 x 29 in.

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