Certainly, we had our share of challenges and setbacks (I often notice that filmmakers, in the making of the film, tend to go on an emotional journey that mirrors that of their hero.) But the many gifts and blessing we received by working on this film far outweigh the difficulties. It began with going to India on a sacred pilgrimage, which was life changing. That’s where I got the mala beads that I wear around my neck every day, and consider to be among my most precious possessions. Those of you with a mediation practice may understand what I mean by that. These teachings are so sacred, and to the teachers and gurus who bring them to us, I bow in gratitude.
SK: What did you enjoy the most working on this film?
PR: One of the amazing things about independent filmmaking is that we get to wear many hats. At various points, I was a cameraman, soundman, driver, caterer, lighting technician, and whatever else was needed. And ultimately, I became the lead editor, which was truly rewarding.
SK: What’s next for Peter Rader?
PR: I’m writing a book for Simon & Schuster called “Playing to the Gods,” which deals with the larger-than-life rivalry between Sarah Bernhardt and Eleonora Duse, two divas on the European stage one century ago. It’s about the birth of modern acting, the passing of the baton from one generation to the next, how the old “Symbolic” style of acting gave way new style pioneered by Eleonora Duse, which was transcendent. It was Mystical, in fact. Isn’t everything?
SK: What are your final words for PERREAULT readers?
PR: Tune into to the Mystery.
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