The Ghouls' Review Summer/Fall 2015 | Page 12

The Prison Greg Garcia T he fluorescent light seeps sickly through the supermarket as you slowly creep down the aisles vacantly scanning heaps of food. You know you came here for a reason but it’s such an immense effort to remember what that was. You’re grateful for the shopping cart you’re clinging to. Without its support, you fear you’ll collapse. Suddenly, a spasm of pain shoots up your left arm. Your right hand reflexively darts over to the injured area, dropping something you hadn’t noticed you were holding. Curious, you stoop to pick it up with exceeding difficulty. Your clumsy fingers pry a small slip of paper off the polished tile floor. You see words written in your handwriting you don’t remember writing. They’re hard to read, partly because it’s becoming impossible for you to focus on anything for longer than a few moments and partly because a dark red stain obscures them. Someone in your head is screaming that these words are important but the scream sounds muffled, faint, submerged beneath the sludge that pollutes your mind, and you can’t understand it. You shake your head, slip the piece of paper into your pocket, and resume your mindless trudge through the market. You’re now standing in front of the butcher’s display case. The various cuts of beef, lamb, and pork lure you towards them with a siren’s song of scent. Relief washes over you inexplicably as you look at them. You never before noticed how awfully beautiful meat is. The rivulets of ground beef, the ribs that rise and fall like waves in a red sea, the marbling of the choicest cuts that spiral here and there in vicious whirlpools; how could such beauty have previously eluded you? “What can I getcha, Mrs. Fowler?” Startled from your musings, you look up to see the butcher is smiling at you inquiringly. Someone in your head knows this man but someone in your head has lost their voice from screaming. You realize you’re expected to say something and have to take a moment to remind yourself how to speak. “R — rib-eye. Please.” “Boneless or bone-in?” You lick your lips. “In.” The butcher nods cheerfully. He gestures at the thick, juicy steaks and asks if there’s a specific one you want. You point at the biggest, choicest cut. He reaches inside the display case and hefts it out. “Somethin’ special for Mr. Fowler?” he asks happily. You manage a smile and wonder if it looks as painful as it feels. The look on the butcher’s face says yes. He places the steak on a scale. “Heard what they’re sayin’ on the news?” He deftly wraps it in brown butcher’s paper. 12 The Ghouls’ Review