The Belly Dance Chronicles July/August/September 2017 Volume 15, Issue 3 | Page 68

Turkish Romani By Kristin Raeesi This article will highlight the experiences of modern-day expert performers of Turkish Romani dance, both Roma and non-Roma. The article will also touch upon on the historical development of Turkish Romani dance as well as the influence that this dance, and Romani–specific musical practices, have had on modern-day forms of dance in Turkey and beyond. Historical background Turkish Romani dance, or Roman Havasi, is a folkloric dance form originating initially from within the Romani community. In the days of the Ottoman Empire, Romani performers called çengis (f.) and köçeks (m.) were public entertainers who occupied the lowest tier of society, as dancing publicly was considered inappropriate and was a marker of being unrefined. However, Romani dancers secured performance opportunities across ethnic communities to entertain at rite of passage ceremonies throughout the Ottoman Empire, such as for synet (circumcision party), weddings and other holiday celebrations. In a few instances, certain groups of Romani performers and/or individuals were able to gain status and recognition through their impressive musical competence and were hired to play/ Serkan Tutar Reyhan 68 The Belly Dance Chronicles Rabia - Photo by Stereo Vision  July 2017