The Art of Design Issue 28 2017 | Page 203

203 COLONIA EBANO Encounter an ancient art, recognise it by its scent Metropolitan rhythms, speed, lights and sounds. But wandering among the narrow streets of the old quarter, everything becomes more calm and collected. Travelling to Milan one happens to encounter secluded and quiet spaces. Laboratories where for centuries the art of cabinetmaking has been cultivated at its highest levels. You first notice it in the scent of beeswax with which the cabinetmaker caresses the wood until it gleams. In the subtle and penetrating aromas of ebony and other precious woods that are skilfully inlaid with each other. Sensory atmospheres that tell the stories of masterpieces of Italian art and craftsmanship. Travel notes enclosed in Colonia Ebano. Italian cabinetmaking has its absolute geniuses. Born in the Renaissance, it expresses its splendour in the Baroque Age and then in the 1700s. The protagonist is the legendary Giuseppe Maggiolini, and it is not by chance that he is defined as the prince of wood craftsmen, called to work in the major courts of Europe and creator of the furnishings of Villa Reale in Monza. Artisan and artist. Virtuoso craftsman and at the same time ante litteram creative and designer. Every piece he created is one of a kind. Neoclassical lines, essential and with a pictorial sensitivity in composing elaborate and perfect decorations. The Milanese cabinetmakers take up the grand tradition of Maggiolini, as well as his mastery in giving