The Art of Design Issue 28 2017 | Page 118

118 ‘I realized when I viewed the flat that I could make use and managing a budget. This is the fourth property that I of the large hall by relocating the bathroom in it and have redesigned for myself as well as having completed knocking the old bathroom into the kitchen to double dozens for clients, as director of Robertson Lindsay Ltd, its size. Ae an interior designer I always use 3D drawings so I have learnt by experience.’ to look at layouts. It means that I can see how the flat would look when I had completed the structural ‘I love using intense shades but it was clear neutrals work. Seeing everything in 3D helps you avoid making would provide cohesion throughout, leaving me free to expensive mistakes and means that you can be braver play with colour, texture, textiles and lighting to create in decision making. different moods in each room,’ she says. Sally’s also used striking patterns in confined spaces and innovative ‘I decided almost every detail before the builders started techniques including screen-printing the contemporary so I could be really clear about what I wanted them to design of commissioned painting by Joanna Srokol achieve. It’s one of the secrets to a successful project onto curtain material to creative effect.