The Art of Design Issue 16 2015 | Page 42

The décor itself was simple but the a dark wood but the choice available the room and dining table. The rest of the biggest problem was the finish of the was narrow and short planked, and I walls remained a light truffle colour to walls, which being new had a simple preferred the initial choice of light Oak, allow the darker furnishings and drapes builders coating and with different wide and long. to stand out. patchy cover ups it was necessary to To introduce the darker colours my From discussions and mood board sand and seal every wall in the property client liked stained the door frames in presentations we fine-tuned the to allow for an even coating with Dulux a Jacobean Oak and inlaid a light oak furniture into 2 or 3 choices per major Diamond paint. strip into the frames to match the floor. item. The Grace dining table was a absorption levels in the plaster and The combination linked the to the floor bespoke design from Davidsons of This was underway while we finalised which would also complement the darker Chelsea Harbour in a smoked wood, the design and made appropriate choices themes on the furniture, table chairs but designed in piece’s o it could be of furnishing. It was to be turnkey so consoles, without it overall being a easily transported to the 24th floor and every detail had to purchased, and with dominant colour. assembled on sight. In the open plan reception I painted the The Christine dining chairs were from dividing wall to the kitchen a rich Brown Robert Langford in Kings Road and I and hung a 9 piece mirror to fully reflect chose a dual fabric, Posh on the front an open design choice I condensed my clients viewing to a single day. We considered changing the floor to