STAR-POST (Art) January 2019 Jan. 2019 | Page 90

How would you introduce yourself? At heart I am a curriculum designer. I have 20 years of experience working at a system level to create the conditions for meaningful and engaging lifelong learning to occur. The focus of much of my work has been guiding and challenging the conversation about the future of learning, transformational learning approaches, and the role of digital technologies in learning and life. Prelude to MUS.E.S 2019 An Email Interview with our Outstanding Educator In Residence (OEIR) -- Ms. Pamela Streeter (Head of Learning, Museum of New Zealand Te Papa Tongarewa) Through my work at Te Papa, I have the chance every day to translate those ideas into something that works for individuals on the ground. The best part of my day is seeing young people taking ownership of Te Papa as their own space for learning and life. Outside of work, I’m mum to Madeleine (5 years old) and Evelyn (7 years old), who particularly love Te Papa’s art gallery Toi | Art, and are very excited to be part of the wider Te Papa team. How did you get involved in museum education? I originally trained as a biologist - researching animal reproductive physiology, but alongside my studies I had a part time job at our local museum. This lead to a permanent job when I graduated, where I helped learners of all ages use the research and inquiry tools of the museum for their own exploration. 90 After taking time to travel the world, I returned to New Zealand and took a role with the New Zealand Ministry of Education, where I stayed for 15 years – developing a career as an educational designer and curriculum thought leader. When the opportunity arose to become Head of Learning at Te Papa, I jumped at the chance to make real the learning opportunities I was part of designing at the system level, and to make this amazingly rich resource be even better for learners. What is unique about Te Papa? One of our founding principles at Te Papa is that of Mana Taonga – which refers to a fundamental commitment to give to all the Iwi (the tribes of our Māori people) a very real sense of ownership in the Museum. negotiate programmes with gallery educators, which – while engaging and exciting, leave learners as passive recipients of someone else’s plan. I hope that through the programmes we offer at Te Papa, every learner comes away understanding that the museum belongs to them. That every facility, every tool, and all the skills, knowledge and capability of this learning institution ultimately belongs to them to use in whatever way they want. How do you think museums can be a catalyst for interdisciplinary collaborations in learning? By this principle, we recognise the authority of communities to care, conserve, curate and interpret their taonga (treasures). This philosophy permeates every aspect of what we do, and not just with Mana Whenua (the people of the land – Māori). The real world isn’t split into subjects and disciplines. Life combines and recombines ideas all the time, and museums are a reflection of our life and who we are. They are the perfect context to explore ideas in new ways and from new angles. We at Te Papa have a role as kaitiaki (caretakers) of the collections and their associated stories, but the collections belong to the people of Aotearoa | New Zealand, and it is their right to access, understand and learn about them, and to interpret and respond to them as they see fit. Hence the concept of ‘shared authority’ is one that defines much of what we do, and the results of this can be absolutely incredible. As more and more as museums offer themselves up as a platform from which people can grapple with real challenges and real problems, will then the constructs of disciplines begin to fall away. It is all just knowledge, skills and context to be used to challenge and develop the way we think now. What do you want students and teachers to take away when they visit Te Papa? Often learners are led in museums a little too much. Teachers plan and What are you looking forward to most for your first trip to Singapore as STAR’s OEIR for MUS.E.S 2019? Meeting so many people and sharing ideas for ways we can all get better at this amazing work we are entrusted to do. 91