STAR-POST (Art) January 2019 Jan. 2019 | Page 64

1. Determining Objectives To set the context for our student artists, we shared the characteristics of our VUCA world and phenomenon such as alternative facts and falsehoods. We encouraged open discourse about the students’ sense of Citizenship and Identity, to draw out ideas relevant for an original artwork. We also encouraged students to decide the direction and mode of their artwork. This gradual release of responsibility empowered students to make considered decisions and helped them to realise that they were not just creating a piece of visual work, but responding with their personal stories to the theme of Artist and Citizenship. 2. Learner Profile For this challenge, we decided to facilitate our projects differently based on age groups, academic profiles and personality differences. These differences were intentional so as to allow students to see, feel and experience perspectives and personas from across the social fabric of our community. 3. Positive Classroom Culture We realised very early on in the facilitation process that we had to cultivate a positive classroom culture to encourage meaningful participation. To do this, we sat down with our students to create ground rules which everyone agreed on. These became the key principles guiding our discussions and collaboration. Our key role as facilitators in this process, was to ensure that every student learnt to develop pride and ownership. Students need to feel that they have contributed and have gained something positive from every session. We decided that they could make decisions on almost all aspects of their work as long as they could justify their choices. This provided an impetus for every child to contribute at every stage of the project. 64 4. Planning Guiding Questions Given such an open brief, our students were initially very confused and did not know how to react. We had to provide guiding questions to scaffold their learning process. These questions helped to bring personal and collaborative dimensions to the students’ thinking and artmaking process. The questions also provided them with some form of structure to guide their work. 5. Arousing Interest This project was not just a visual art project. It was an opportunity to allow our students to affect change in their immediate communities and develop a meaningful sense of identity and rootedness. To achieve this, we modeled the research process and shared them with our students. They were incredibly interested in the original research from their teachers and this inspired them to generate a great research collection of interviews, vintage photos and drawings. In Conclusion Our students expressed that they were able to understand and see the purpose behind the integration of the two disciplines through this project. This was important to us as our efforts paved the way forward, enabling our students to see meaningful possibilities in collaborations. 65