SPLICED Magazine Issue 01 Oct/Nov 2013 | Page 136

Mr Freeze internal artwork pages courtesy of the extremely talented South African artists Jason Masters. We thrive off of watching our favourite heroes battle and prevail over their enemies. We cheer them on, feel their punches and then experience the catharsis of a hardfought victory. But what about the villains? This is where DC comics comes in, they declared September Villains Month. This pioneering treatment sees the publisher paying homage to the villains that make their heroes great, with each issue of the "New 52" sporting a gorgeous 3D cover of a villain from that particular title's history. Batman #23.1: Joker is by far one of our favourite of the series (with Justice League #23.1: Darkseid coming in at a close second) with a gorgeous cover by artist Nathan Fairburn. DC’s statement on Villains Month explains, “The Justice League is presumed dead and the Crime Syndicate has arrived following the tragic events of this summer’s blockbuster “Trinity War”. With the heroes gone, everything is up for grabs. Bizarro, Relic, Reverse-Flash, General Zod and all the villains you love to hate have unleashed a wave of evil sure to dominate the fall! They’ve commandeered their comic books. They’ve even vandalized their once-heroic logos.” The month commenced with the launch of the new title Forever Evil, which focuses on the Crime Syndicate, a team comprised totally of the evil doers of the DC universe. The premise is based on the demise of the Justice League after a massive battle ensues between the superheroes following a rather tragic misunderstanding, leaving the league disbanded, several heroes either missing or injured and the rest disillusioned and angry. The Crime Syndicate, lead by Superman's 136 arch-nemesis Lex Luthor, capitalises on the devastation and sets forth to cause chaos and anarchy anywhere and in any way they can. Have you ever noticed how Villains are often wildly more powerful than their heroic counterparts, requiring teams of heroes to bring them down? People often criticise comics for this, but if you think about it, would a hero's victory be worth as much if they were able to beat their foe with a single punch or eye beam? Nope. In fact, it would more than likely lessen the overall impact of the entire story and leave you going: "Well... Uh... That kinda sucked." Roger Rollin, author of Beowulf to Batman: The Epic Hero and Pop Culture explains the constant conflict between hero and villain, “For an easy victory not only lacks dramatic force but paradoxically cheapens the value system the victory is to affirm by making it almost irrelevant.” Heroes need to struggle in their battles against seemingly omnipotent foes, it's why Batman can never truly beat the Joker, because deep down, they need each other to exist. "For the past few years I've danced with the caped crusader. And every time we tussle, it gives me even more respect and admiration for him, perhaps too much!", says Joker to Jackanapes, his kidnapped Gorilla minion. " I don't think I could exist without him!" The Joker necessitates Batman - he represents everything that Batman stands against, a perfectly juxtaposed metaphor to Batman's moral code. The Joker is an ordinary man, a psychopathic man in a green and purple suit, but still un-powered by anything other than his thirst for outright anarchy. Each character is as violent as the other, their methodologies almost identical, but Batman fights for justice and balance, whereas Joker strives for chaos and destruction. Neither can ever truly win, because they actually require one another to validate their own communal existence in a kind of twisted, parasitic relationship. Batman will never kill Joker because of his moral code (well, except for those times he did...) and Joker wouldn't actually be able to gain satisfaction from his nefarious deeds, knowing that nobody could stop him. The two seek the challenge presented by each other and as Rollin argues, “We know, deep down in our feature / comics / DC Goes Bad!