SPLICED Magazine Issue 01 Oct/Nov 2013 | Page 124

SPLICED MOVIES / REVIEW / Nothing for mahala Practice makes Permanent Thapelo Mokoena is a personable, friendly character who is obviously passionate about the South African film industry. The 30 year old actor plays the lead role of Axe Gumede in his latest movie Nothing for Mahala, and says that this is his favourite role to date, not just because he plays the primary character, but also because he believes in the message of the film. Mokoena is charismatic, a fitting trait for a leading man, but this open and friendly actor who studied acting at film school, has always been driven to succeed, and has some wonderful and inspiring stories to tell. I got the chance to chat to him about his latest film, and eventually abandoned my questions in favour of his insights into not only the film, but his views on living beyond your means and the betterment of South African film production. We speak about money, about debt, about being financially responsible and savvy, all of the themes that are prominent in the film. The irony that a film about debt and owing money is funded by a bank is lost on neither of us, but he argues that if the financial institutions can “give back and add value to society, so much the better.” He spoke to me of Soccer Player Syndrome – taking a young man from a rural area who has never had money, putting him in an urban environment to play a sport that he loves, but giving him money that he doesn’t know how to handle, and then we wonder why ultimately so many of them end up broke. He argues that if we “use the power of motion picture to guide, to empower, to develop, to rehabilitate society… and if you can make people laugh and teach them something while you’re at it, it’s something.” He speaks also of his grandfather who bought a car at the age of 74, with physical cash that he had saved up because he didn’t want to owe anyone money, and you can see the admiration in his face as he speaks of this man. It’s a heart-warming story that he admits is not practical in today’s society, but says that it was about the journey. I ask him how we can help uplift the rest of the industry to what is in this case an incredibly high standard and production value and his answer is one that resonated with me on many levels – he tells me seriously, “We could practice more. Practice makes permanent. Not perfect, permanent.” A fitting life lesson we could apply to every aspect of our lives – the more you do something, the harder you work at it, this is the way you Listen get better at what you do to the and what you love. Perhaps interview there’s hope for us yet. 124 ISSUE 01 “We could practice more. Practice makes permanent. Not perfect, permanent.” himself deeper and deeper into debt through a series of bad decisions. We feel pity for him, but we also feel hope, and it’s a credit to the actors, writer and director that we empathise so completely with the characters. We feel Axe’s despair, Reneilwe’s sense of betrayal, and Hendrick’s disappointment at his life choices. The story speaks to us on so many levels – as South Africans, but more importantly as people, and could easily hold its own against any international comedy. On many levels the story might be predictable, but the actors play their roles superbly. You’ll laugh at Hendrick and his grumpy mischievousness, and roll your eyes at Jamie Bartlett’s portrayal of Axe’s boss Mike. Indeed this is one of the best local comedies I’ve seen in years. Right off the starting block, the production value on this film is top notch, and it shows in every aspect of the film, from editing, to music and location. Think you’ve seen lead actor Thapelo Mokoena somewhere before? He’s “The Hunter’s Guy” from the Hunter’s Dry adverts – “My china's, china's, china's”.