SPLICED Magazine Issue 01 Oct/Nov 2013 | Page 123

SPLICED MOVIES / REVIEW / Nothing for mahala ISSUE 01 by Pippa Tshabalala Nothing for Mahala is a movie with a message. Normally this would make me groan, and indeed when I attended the premiere of the movie and heard speeches about financial planning I was confused to say the least. Watch the trailer Thapelo also stars in the upcoming Long Walk to Freedom with British actor Idris Elba. Nothing for Mahala tells the story of Axe Gumede (Thapelo Mokoena). A shallow, wanna be big shot commercial property developer, whose sole focus is on making money and making his mark on life. He believes you have to spend money to make money, and indeed this is what gets him into trouble. Axe is unfortunately spending way more than he is making, and is up to his eyeballs in debt. With loan sharks on his tail, Axe is looking for that one big break to elevate his status and solve all his financial issues, hopefully impress his boss (Jamie Bartlett) and snatch that partner position away from his ambitious colleague, Pule (Shoki Mokgapa). Of course things never go as smoothly as he hoped, and as part of his run in with the loan sharks, Axe ends up in court and is sentenced to 200 hours community service at the Autumn Hills Retirement Home. While working reluctantly at the retirement home under the supervision of the beautiful Reneilwe (Mmabatho Montsho), Axe is assigned to Hendrick (Marius Weyers), a grumpy resident who is indiscriminate in his hatred of everyone. Axe must now endure his community service in order to get back to making money, but in a somewhat predictable story arc, he and Hendrick butt heads but ultimately develop a long lasting friendship. We find out why Hendrick is the mean and bitter old man he is, and we see Axe grow and develop for the better through their relationship. Axe’s love interest Reneilwe is played by the lovely Mmabatho Montsho, whose character is smart and sassy, and who won’t allow Axe to charm his way out of trouble. Her strong sense of self is in stark contrast to Mokoena’s character, who is lost in a world of materialism. As the film progresses we become acutely aware of how pointless Axe’s material pursuits are, and how dire his situation is becoming as he digs 123