SPLICED Magazine Issue 01 Oct/Nov 2013 | Page 116

A whole new world Director Alan Taylor wanted the world of Asgard to feel believable, relatable and lived-in. The goal is to hearken back to the mythology’s Scandinavian roots and imbue the film with that classic Viking look and feel. Everything from the sets, locations and the armour the characters wear, to the make-up and special effects employed by the film aim to ground the experience in reality and make the journey feel more meaningful, more human. Production designer Charles Wood had his hands full ensuring Taylor’s vision was properly captured. Whereas in the first film much of the time spent in Asgard was confined to the palace, the sequel explores far more of its surrounds – and Taylor wanted it to feel as though the Asgardian realm contained thousands of years of history, brandishing its own culture and texture. The desired effect was captured using a combination of real-world locations and expansive, purpose-built outdoor sets. Inspiration was drawn from the actual comic books and the wealth of material they provide, and further research was done by studying a variety of historical and modern architectural styles, as well as looking at a variety of techniques for lighting and atmosphere before moving forward with the final concept. In October of 2012, shooting on the film finally began at Shepperton Studios in England. Key locations in London – including St. Paul’s Cathedral, Borough Market and Wembley – were visited, as was Bourne Wood in Surrey and Stonehenge in Wiltshire. The crew also shot on location in Iceland, because its black, volcanic landscape proved perfect to depict the Dark Elf homeworld of Svartalfheim. It’s been hailed as one of the most extensive filming projects ever undertaken in Iceland. Shooting was wrapped in December 2012. The streets of Asgard / Medina set is the biggest ever built for a Marvel movie. Were you to visit it, you could actually walk the streets of Asgard and visit the training ground, and see the shops and pubs. The impressive list of talent involved in the project alone is enough to get excitement levels rising. While not all of Marvel’s movies manage to live up to the ridiculous amount of hype they inevitably garner, one thing always stands true, from their opening moments all the way through to when the credits begin rolling: they’re an absolute blast to watch, and a real feast for the eyes, 116 particularly for comic book fans keen to see life breathed into their favourite heroes on the big screen. Whether or not Thor: The Dark World will uphold the expectations set by the first movie – especially since news of a new director at the helm of a project always makes fans understandably wary – remains to be seen, but all signs presently point to it being a must-see comic book movie.? feature / movies / Thor: The Dark World