SOMA Magazine SOMA Obsession Issue | Page 36

Feature Magnificent Obsession NARS x Steven Klein Collaboration TEXT BY KARENA GUPTON AKHAVEIN PHOTOGRAPHY BY NARS/STEVEN KLEIN Creative collaborations seem to have become a facile way for cosmetics companies to exploit the distinct marketing advantage of covetable and collectable limited edition offerings, and to enjoy the extra exposure afforded by cross-industry name recognition. In the case of makeup artist favorite NARS Cosmetics, however, collaborations are truly the organic result of a complex creative process, born of the mutual admiration between two artists. Francois Nars, Founder & Creative Director of NARS Cosmetics and an acclaimed photographer himself, has chosen to partner only with artists, photographers, and fashion designers, living or dead, such as Andy Warhol, Guy Bourdin, and Christopher Kane, whose work or vision are not only a good match for NARS products, but which more importantly push creative limits even further. François Nars explains: “We build collections from scratch, we don’t just take two things and put them together. I like things done a certain way, and they have to be done well.” NARS’ newest project, a magnificent holiday collection, is also a fruitful creative collaboration with cult photographer Steven Klein. Eminently obsession-worthy and gift-able, it’s probably not something to give grandma for Christmas: Klein has been known throughout his career for his boundary pushing, edgy, at times fetishistic work, seemingly a counter intuitive 34 choice for a holiday collection. However, the formulas are so extraordinary and the packaging so beautiful, that it somehow makes perfect sense. Francois Nars welcomed the idea that working with Steven Klein might mean creating a controversial product. “You don’t look at his images and instantly think about makeup,” he explains. “When I approached him about a collaboration, he responded right away and was very excited. I think it was unexpected for him, and we both realized this idea was something very different.” Klein’s darkly iconic images were the starting point for the collection, and informed everything from the formulas, to the colors, to the packaging. “I started by working with Steven to identify imagery for the collection,” says Nars. “I met him at his studio in Chelsea and he showed me all of his photographs, some I knew, some I didn’t. We are friends, so it was very laid back. Then we met again and sorted