Soltalk January 2019 | Page 26

The Arts Society, Nerja How we got Ikea! - Scandinavian Design c. 1880-1960 Heartbeat of the South: Flamenco, its History, its Rhythms Tuesday January 15th 2019 The Cultural Centre (Casa Cultura) Calle Granada, Nerja. 6pm (Doors open at 5pm and tickets only available on the night) Visitors are most welcome. Entrance €10 (Members of other The Arts Societies €5) A full illustrated lecture in English by Anne Anderson Sponsored by Solatube Tuesday January 29th 2019 The Cultural Centre (Casa Cultura) Calle Granada, Nerja. 6pm (Doors open at 5pm and tickets only available on the night) Visitors are most welcome. Entrance €10 (Members of other The Arts Societies €5 Including live music and dancing by Company Antonio Guerra Sponsored by Dentadanes and Olé Optica Narrator: Helen Sijsling Scandinavia became one of the leading countries for ‘progressive’ design in the 20th century. This lecture starts by looking at design reform and the arts and crafts movement at the end of the 19th century. Included will be the interiors of Karl Larsson, for many the direct precursor of the IKEA Swedish style; the metalwork of the Dane Georg Jensen, which drew heavily on the English Arts and Crafts; Swedish and Danish glass and ceramics - Orrefors, Rorstrand and Copenhagen. We would like to seduce you, to entice you into the world of Flamenco. Maybe you have often seen flamenco performances but still wonder - where does this music come from, what are its origins? What is Flamenco? Interlacing the performance of a singer, a guitar player and a dancer, the narrator will give us a glimpse into this wonderful passionate world of Flamenco The impact on Scandinavian designers of the Arts and Crafts, Art Nouveau, Art Deco and Modernism will be appraised bringing us up to the 1950s when it can be said Scandinavian design came of age. Scandinavian Modern, as it was christened in America, offered an ideal life-style for the post war era, based on clean lines, natural materials and the notion that ‘less is more’. which was added to the list of ‘Intangible Cultural Heritage of Humanity’ by UNESCO in 2010. Founded on principles of economy and self-reliance, Do-It- Yourself-IKEA has globalized Scandinavian Modern and many have embraced its founder’s ethos as it suits our busy lifestyles. Andalusia in southern Spain is the heartland of Flamenco. It is an artistic expression fusing song (cante), dance (baile) and musicianship (toque). ‘Cante’ is Antonio Guerra performed by a seated solo singer. The gamut of feelings and states of mind – grief, joy, tragedy, rejoicing and fear – can be expressed through sincere and expressive lyrics. Flamenco ‘baile’ is a dance of passion, of courtship, expressing a wide range of emotions from sadness to joy. ‘Toque’, the art of guitar playing has long surpassed its original role as an accompaniment. Hand clapping and foot stamping are also employed. About Anne Anderson Graduated in Art History and Archaeology from Leicester University in 1978 and worked as an archaeologist for eight years, being elected to the Society of Antiquaries in 1997. 1993- 2007 senior lecturer on the Fine Arts Valuation degree courses at Southampton Solent University, specialising in the Aesthetic Movement, Arts & Crafts, Art Nouveau and Modernism. She is currently Hon. Research Fellow at Exeter University; a Fletcher Jones Fellow of the Huntington Library, CA; a fellow of the Henry Francis Du Pont Winterthur Museum and Library; Cumming Ceramic Research Foundation Fellow (2007 and 2010) and consultant for Lord Frederic Leighton’s Studio- House, Kensington. Her 2008 exhibition Ancient Landscapes, Pastoral Visions Samuel Palmer to the Ruralists attracted some 47,000 visitors. She has published books on Roman pottery, Art Deco teapots and Edward Burne-Jones. A NADFAS lecturer since 1993, Anne toured Australia in 2000, 2006, 2009 and has lectured on cruises. Her television credits include BBC’s Flog It! Anne is also a tutor at the V&A on the Chardin to Cézanne year course. There are more than 50 different rhythms. We will be looking at a few of them in detail. Happy rhythms, like Alegría and Bulería and sad ones like Soleá or Seguirilla; simple ones with a four beat like the Tango (the Flamenco Tango, not the Argentinian one!) or the most complicated ones with a 12 beat like the Bulería; rhythms from Cádiz and Jerez, the very heart of the Flamenco, but also others that have been influenced by other cultures like the Fado and Cuban music. Come and let yourself be seduced into this very passionate world of Flamenco! 24