She Magazine APRIL 2016 | Page 55

vicky mclain FOR VICKY MCLAIN, ART IS EVERYTHING. “It is a way to express feelings inside of me. It is a way to share myself with others. It is a gift from God. It is something that I don’t understand why I have, but I cherish every minute of it.” Vicky’s parents discovered their daughter’s passion when she was only three years SHEMAGAZINE.COM old. “My dad had left a pack of cigarettes sitting on the coffee table. I found a piece Inspired by artists such as Rembrandt, Paul W. McCormack, Burton Silverman, Joyce of paper and a pencil, and I drew it in a 3-D perspective as well as a three-year- Hall, and Joy Thomas, Vicky enjoys admiring their creations. “I can look at their old could do. When they found the drawing, they both agreed that I had talent.” work and feel something. They all exemplify realism, but all have ‘feeling’ when you Throughout her childhood, she loved coloring with crayons, painting with watercol- look at their work.” Out of these artists, McCormack has inspired Vicky the most in ors, and painting by numbers with oil paint. Each time she was around art supplies, portraiture work. “I took a four-day portrait workshop taught by him in New York Vicky became enraptured with her work. “I often joke that if I had been an only child, as a fiftieth birthday gift from my husband a few years ago. It was the key to really my parents could have bought some coloring books and crayons, thrown them on learning how to observe the subject I am painting and find the details. His way of the floor, and left for a week, and I would not have noticed they were gone!” mixing oil paint to get flesh tones was life-changing for me.” She didn’t realize the impact of her talent, however, until her seventh grade art She describes her style as realism with passion. This is accurate, as Vicky puts class. “We were to pick out a photo from a magazine and draw it. I found one of a fish her heart into each piece she creates. “I love to tell a story and remind people of jumping out of the water with a fisherman in the background fighting him. I drew the the past. I want to preserve for posterity things that have gone by the wayside, like water splashing and spent a lot of time on the scales. When I finished, I could not an old barn or rusted cars. I have a need to rescue things whether they need rescu- believe I had drawn that freehand. My classmates and teacher loved it. That drawing ing or not, which carries over into my art. I am moved by old buildings that have was THE moment I knew I wanted to be an artist.” It was the teacher of this class been abandoned. They tell me the story of their past when they were used to store who fueled Vicky’s creativity. “I was an obsessive overachiever in school and al- tobacco, hay, cotton, tractors, etc. I want to put them on canvas before nature ways wanted to make good grades. My seventh grade art teacher, Mr. Ron Davidson, takes over and engulfs the buildings in vines. There is beauty in a dilapidated barn. gave me leeway on my grades when I took risks. When my risks failed, he did not Memories linger for someone.” She also enjoys painting people and pets. “My fasci- punish me with a bad grade. Since then, I have always tried to push the limits with nation with painting people is driven by that inner voice that is always pushing me to increasing my abilities as an artist. One time in the seventh grade, we were to draw do a little more and be a little better. For me, portraits are the ultimate zenith in art. what we wanted to do as a papier-mâché project. Mr. Davidson would look at our I must master this craft. I must also tell the story of the person I am painting, even drawing, and if he liked our subject, we could start the sculpting process. I chose to if it is a ‘CEO style’ portrait. I would want it to be more than just standing in front do a bust of the Mona Lisa. I remember walking up to his desk and handing him my of a bookcase with hands crossed wearing a suit. I want people to see the person.” drawing. His eyes bugged out. He paused, looked up at me, smiled, and said, ‘That Oil paint is Vicky’s favorite medium, as she can manipulate it while it’s wet to will be fine.’ It was a rough go. I molded, layered and smoothed the newspaper as glaze layers over the dry areas to create a glowing effect. She also loves working I went. I made a couple of painting mistakes on it, but he gave me an ‘A.’ You must with graphite and charcoal. “That is nostalgic for me because of that seventh be fearless if you are an artist. You cannot worry about the grade you will make, the grade fish drawing.” No matter which medium or tool she’s using, Vicky’s heart award you may or may not win. You must stick to your guns, and be creative and is content simply by creating. “It is a part of who I am. Claude Monet once said, true to yourself.” ‘Colour is my day-long obsession, joy, and torment.’ My mind never shuts down Although she worked various jobs in retail and insurance, wh en asked what she when there is so much out there that God has given us to see, enjoy, and feel. If I did for a living, Vicky always replied, “I am an artist.” She adds, “The ‘real’ jobs don’t have a brush in my hand, I am painting in my mind. I am constantly trying just paid the bills!” When her husband, Jim, retired in 2000, the couple moved to to figure out what colors I would mix to recreate a something I have just wit- Chesterfield, South Carolina. At this time, Vicky became a full-time freelance artist. nessed. It never stops.” Her favorite piece she has created is the portrait of her “I wake up in the morning knowing I get to go out and do a job I absolutely love.” husband, Jim, a retired Army Major and Vietnam combat veteran. CONTINUED... APRIL 2016 55