Summer 2016 | Sea Island Life Magazine Spring/Summer 2016 | Page 50

Tiki culture in the U.S. can be traced back to Don the Beachcomber, which initially opened in 1934. at-home cocktail hours, tropical interior decor and apparel, and even a new genre of orchestral music, exotica, to get their tiki fix. Perhaps not surprisingly, the era also coincided with the granting of statehood to the Hawaiian Islands in 1959. Still, even tiki couldn’t survive the changing tides of the late 1960s. By the mid-1970s, tiki culture had fallen almost completely out of favor with younger generations—especially the more traveled and politically conscious baby boomers—and the majority of the country’s tiki bars closed their doors. Tiki ephemera, meanwhile, was relegated to garage sales and pawnshops, only to be rediscovered decades later. The Great Tiki Revival It wasn’t until the mid-1980s that tiki “artifacts”—think mugs, menus and matchbooks— began to resurface in secondhand stores, particularly in areas that had been home to larger concentrations of tiki-themed bars and restaurants. In cities like Los Angeles, Kirsten and one of his neighbors, Jeff “Beachbum” Berry, began snatching up as much tiki memorabilia as they could find. Berry took things in an entirely new direction by collecting the vintage drink recipes that elevated tiki into a cocktail movement. “I found that the recipes didn’t exist anywhere in print,” Berry says of his early Latitude 29 is owned by tiki expert Jeff “Beachbum” Berry. 50 SEA ISL AND LIFE | SPRING/SUMMER 2016 endeavors. “I’d talk to the bartenders around town who still made these drinks and get nowhere. Very often, they would’ve built 40-year careers by keeping the tiki recipes they knew secret. They literally had little black books in their shirt pockets with all the recipes, and sometimes the recipes were even in code. These were their passports to job security; they knew how to make the drinks and the early restaurant owners didn’t, so if a bartender wasn’t getting enough money or got a better job offer from someone else, he’d just threaten to take his recipes with him.” Over time, Berry began to unearth vintage tiki recipes in the Los Angeles area, but the growth of the Internet took his treasure hunt across the country. “People who were the wives, children and grandchildren of some of these bartenders had their old recipe books, and they’d find me or I’d find them,” he says. “A lot of the old books were just in shoe boxes or file cabinets.” Before long, Berry had compiled his findings into his first book, “Beachbum Berry’s Grog Log” (1998), which further galvanized the tiki revival. “Jeff Berry’s books did a lot to bring tiki back into the mainstream again,” Kirsten remarks. “And then craft cocktailing gave the whole tiki movement a major push.” A 180-degree departure from the drink-making styles of the 1980s that prioritized cheap spirits and canned juices above all else, the craft-cocktail movement that originated in the early 2000s and continues today is all about freshness— a concept that dovetails beautifully with the format of the traditional tiki drink. BOTTOM LEFT PHOTO BY JOCHEN HIRSCHFELD Don the Beachcomber’s Zombie