Ouroboros
(2008). 40” x
40”. Layered
hand cut
paper, acrylic
ink & colored
pencil.
without an assistant and which will store and
ship between two pieces of large foam core.
The added benefit to these practical considerations is that when I randomly layer components one on top of another, new design complexities pop out in infinitely different ways.
Q: I would love to hear a little about your artistic process — what does researching each piece
generally involve?
A: Some of the early work directly interprets
headlines about water ecology. Because water
is a strategic geopolitical issue there is plenty
of research available. Sensitive Chaos: The Creation of Flowing Forms in Water and Air, my bible,
provides me physical documentation of water
behavior and shapes like the vortex and the fat
triangle and egg shape that water repeatedly
makes under it ́