SciArt Magazine - All Issues | Page 31

“ On the face of it, science and art seem such vastly different enterprises as to appear antitheses. On the one side is a discipline fundamentally rooted in discursive reason, where, fueled by accuracy and precision, the twin engines of observation and experimentation power toward ever-greater knowledge, prediction, and control. On the other is art, a distinctly non-rational vehicle that necessarily traffics in ambiguity, mystery, and contradiction and depends for its success on the perpetual deferral of meaning...visualizing the invisible [can be thought of] as the common denominator... But perhaps the deeper link lies elsewhere. For, speaking as an artist, neither beauty nor visualization alone is what draws me to art, but rather their invocation in the service of insight... But let's not fool ourselves: the epistemologies of art and science are fundamentally dissimilar, and their differences should be preserved at all costs. The world needs more discursive art about as much as it needs more poetic cancer research. Rather than a merging or synthesis of the two, then, what I'd like to see develop is a mutually informed dialogue between two potentially complementary disciplines. But first: to stomp out the ignorance, for much exists on both sides. Taney Roniger SciArt in America August 2014 ” 31