SciArt Magazine - All Issues | Page 31

Billions and Billions (2012). 9” x 9”. Serratia marcescens, agar, Petri dish, acrylic. Image courtesy the artist. ZC: During my first year of grad school, I struggled mightily to find a subject around which to base my artistic study. Many ideas came to mind but not a single one resonated within me. One evening while I was doing what most grad students do when they don’t want to think about how they are spinning aimlessly— binge watching Netflix—I stumbled across an old TV show called “Cosmos.” Five minutes into Carl Sagan’s introduction I was literally yelling at the television, “That’s it! I love science, that’s what my art needs to be about!” Right then and there I began to scribble down countless ideas on work I could create. Eventually I became interested in bacteria as an artistic medium—I was a microbiologist, after all. As I do with most of my creative problem solving, I said the problem out loud to myself, “I need to find a genuine way to bring bacteria into my art,” and then let the ideas bounce around in my subconscious for a week or so. One day, when I was driving to school, the idea popped into my head. I slammed my hands on the steering wheel and said, “That’s it, I can use radiation to make photographs in bacteria!” (It occurs to me now that I do a lot of exclaiming ideas out loud to myself.) After several months of research I had my first photographic image grown in living bacteria. MG: What draws you to bacteria as a medium? SciArt in America June 2014 ZC: The simplest answer is that, being a microbiologist, bacteria was what I knew. This makes it seem a mere matter of convenience. But in reality it goes much deeper than that. Looking back on my days in the micro lab, I recall always being fascinated by microorganisms. At the same time, they represent one of the most fundamental yet complex forms of life we have discovered. At first glance bacteria seem so mundane and even gross, but when we examine the intricate and incredibly intimate relationship we have with them they become something at which to marvel. There is even recent research suggesting that bacteria can significantly affect our daily cognitive functioning. Through my work, I can take this all but invisible universe and bring it into the line of sight of our everyday perspective. In retrospect, I really should have seen this work coming. At my first lab job out of undergrad, I used to take pictures of plates of bacteria and even began to draw pictures in the control plates of tests. MG: If you could assemble a dream team of artists and scientists to create a large project, who would you choose and why? Can you briefly describe what you might work on?  ZC: Without hesitation, I would call upon Carl Sagan and Andy Warhol. Sagan for the obvious reasons, but also because he worked to bring the beauty and mystery of science into pop culture for everyone to experience. Warhol, on the Darwin (2012). 9” x 9”. Serratia marcescens, agar, Petri dish, acrylic. Image courtesy the artist. 31