Sceneazine Jul. 2014 | Page 7

7 continue from last page- there in a tiny, studio converted cubby were the members of Gemini Syndrome playing a live acoustic version of their hit song “Basement” for an audience of three radio personel, their media promo guy Chino, the lead singer of Eyes Set to Kill, the radio dj from 94.7 RAZR, and lastly my wife and I. It was as if we were being given our own personal live performance by what has now become our favorite performing band. My wife looked in amazement at the five members performing and could not turn away. I, just as well, was in complete shock of the experience we had just stumbled into unknowingly. Their sound was lucid and pristine showing that these guys weren’t just rockers, but musicians through and through. Their harmonic melodies, the rise and fall of the music, and the placement and careful precision of each note played impressed an emotional responsiveness. I liked their music before but now I was loving the true musicianship displayed by these five artists. After seeing the live acoustic jam Gemini Syndrome put on, in association with the local rock station that promoted the event, my wife and I got the opportunity to speak with the members, personally. They were such nice guys and completely down to earth. They volunteered their time and were sincerely interested in our conversations and listened intently without distraction or disinterest. My opinion on the band and it’s members was solidified from that point on that these guys weren’t just great musicians but also good people. The generosity and good natured kindness was great in abundance showing their higher standards in poise and giving an air of moral adequacy. ne can only come to the conclusion that these guys are the real deal, plugged in or acoustic, and have musical potential beyond the ordinary. I haven’t witnessed a more complete example of exquisite artistry in composition, performance, stage presence, and instrumental mastery from a more humble and down to earth group of musicians than this hard rock quintet. Their sound is unique with impeccable quality even in small venues where acoustics can be a burden to sound technicians and even the most experienced of musicians. Their ability to mesh the different styles they all bring to the table creates a conglomeration of harmonious melodies the American stage rarely encounters. ropping the bassline in this ambiguous musical arrangement, is Alessandro Paveri, otherwise known to most as AP. He is definitely unmistakable. His hairstyle, head to toe body art, and basslines are an artistic expression of his uniqueness and originality. From Milan, Italy, his accent is as mezmerizing as the performance he puts on. His insatiable thirst for energy drinks and top shelf vapor products aren’t the only things O D this bass phenom refuses to skimp on. He uses nothing but the best basses and accessories on the market and it shows in his sound. His fingers strum, pluck, and slap out the canvas to which the guitars accentuate in their musical portrait. His riffs leave plenty of room for guitarists Rich and Brian to build upon with enough fullness to distinguish his “Dirty Low End” musical stylings. Gemini Syndrome’s compositions grant AP the chance to impress upon audiences that his remarkable abilities are no common, everyday droning, but a string popping visionary finally getting the attention he deserves. idwesterner, Rich Juzwick is a high flying animal on stage swinging his guitar as hard as he plays it. His symbiotic relationship with his Schechter guitar makes them the ultimate thrash coop. Climbing onto his box to get the full attention of the roaring crowd, Rich drives his head into the rhythms with fury and fire, headbanging during the heaviest transitions in the songs. Other times he stands strong with head in the air as a rock god statue timing the moment just right until the heavy beat breaks once again, and his body becomes airborne. Feeling the pick in hand, he drives the strings into a fantastic, distorted peal and finds himself once again entranced in the sounds his guitar forces from the stacks and integrates with the rest of the instruments. His Ohio upbringing brought musical influence into his life early, even having a place in his High School marching band. It wasn’t until his uncle introduced him to the guitar that