returned with our arms loaded; oil cans, lamps, camera, telescope, a bird cage, and the perfect clock. We were originally going for a cover image that invoked The Tin Man bound up in vines and flowers, a flower pot for a hat with steam coming out the top. It was a great starting point, and we were not bothered at all that what we ended up with was nothing like that. It was Victorian with a sense of wonder, which to us was the feminine creative power of Steampunk.
Reverie Fair / MAY., 2015 48