PULP: JUNE/JULY 2013 PULP: NOVEMBER/DECEMBER 2013 | Page 21

PAGE?20 A while back, Cultural Exchange co-host and all round busy art person M.M. Plumm told us that she was opening a Shanghai chapter of Dr. Sketchy’s Anti-Art School. We were all like ‘OK, drawing is cool, whatevs. Are you sure this Dr. Sketchy is a real doctor?’ and promptly moved on to other things, probably trying to make up lame puns about DJs or something. Then we had a look into it and realized, holy crap, this is going to be insane. The first event was a cornucopia of booze, art and nudity, a legendary triforce which united to radiate good vibes for all. The models, Meredith and Aliang, were plenty naked, but it wasn’t weird for anybody and actually cool to be able to be all ‘right, that’s how you draw collarbones.’ There were people there who were real life artists and created real life art in minutes and it was hella impressive. At the other end of the spectrum were people like me (enthusiastic about drawing, but kinda suck at it), who just went apeshit with the crayons and still had the best time and even won spectacular prizes. If you’re reading this mag just as it comes out, there’s still time to head to BLOC to see Sketchy’s get all skeletal as they present Bare Bones, this time round with the help of Basement 6. They’ll be turning the upstairs of BLOC into a crypt and the models into real life skeletons, so if you get bored of drawing the outsides of people, you can paint the insides of them as well. Before the first event, Plumm managed to grab some time with Dr. Sketchy’s founder, the artist Molly Crabapple, who had just got back from Guantanamo Bay. Crabapple explained how her experiences in the rather, um, sketchy world of life modeling had inspired her to create something better; something that took the creepiness out of the process and replaced it with booze, burlesque, theatre and mayhem, and which celebrated, rather than overwrote, the humanity of the models. O nce upon a time, I never would’ve predicted questions like ‘can you doublecheck your areola size for me?’ would become a routine part of my life. Like a sufferer of Tobias Fünke’s Nevernude Syndrome, I’ve always been SHANGHAI247.NET slightly uncomfortable with human physicality. Being in any sort of position that would have gorgeous models—professionally beautiful human beings— emailing me with body shots and measurements as I scour Taobao for flesh-toned boxer briefs was never part of the plan. That was before I took on the Shanghai launch of Dr. Sketchy’s Anti-Art School. Plans change. It all started last year when I stumbled across “The World of a Professional Naked Girl” by artist, activist, and Vice columnist Molly Crabapple. In the article, she details her relationship with beauty framed within some of her more brutal experiences with the underworld of life-modeling. It was also the first time I had thought about nude modeling outside the context of a formal art class, the first time I had thought about the work involved and the physical and mental toll of being objectified for profit. Last Christmas Eve, I ordered Crabapple’s Dr. Sketchy’s Rainy Day Colouring Book during a 20-minute $1 plusshipping promotion. Around a month later, I poured over my new acquisition: a cleverly conceptualized tome detailing the philosophies, history, and stories of Dr. Sketchy’s Anti-Art School. I read it cover-to-cover until it literally fell apart, and then I applied to open a Shanghai branch. Which brings us to now. Dr. Sketchy’s Anti-Art School is a drawing party. More specifically, it’s a 3-hour, formally structured drawing event that combines vivacious performers, burlesque theatre, alcohol, and ruckus to create a lively atmosphere in which models are paid well and celebrated, admired, and respected as human beings. Helping out are the Art Monkeys, artistic volunteers who lend a hand with the show in exchange for free admission and drawing time. Small business and independent arts community sponsors offer prizes for informal drawing contests for frivolous feats of skill, such as “best rendering of the model as a fanciful beast” and “best incorporation of a woodland creature into a drawing.” The audience is encouraged to hoot, holler, drink, and tip. Molly Crabapple launched the first branch at Brooklyn’s Lucky Cat café in 2005. ‘It came from a » 247TICKETS.CN