PULP: JUNE/JULY 2013 PULP: NOVEMBER/DECEMBER 2013 | Page 11

PAGE?10 All the world’swhat stage for. a to watch out Shanghai’s theatre scene and Dom Bangay-Wilding AS THE RUN UP TO CHRISTMAS BEGINS in earnest, Shanghai’s theatre troupes are preparing some fine productions for your delectation. As part of a preview of what you ought to check out in the coming weeks we thought it might be pertinent to observe how far theatre has come in Shanghai in the last few years. Over the past couple of weeks we’ve spoken to a number of people in the drama scene, and they were kind enough to give us some of their thoughts on the subject. T The Shanghai Repertory Theatre will be performing C.S. Lewis’ The Lion, the Witch and the Wardrobe at the Ke Center for Contemporary Arts from November 30th to December 9th. When she first arrived in Shanghai a few years ago, SRT’s founder Rosita Janbakhsh saw opportunities where others saw only obstacles; “It had to become very much ‘how can we use the limits to enhance what we are creating?’ These are the challenges, but part of the solution is creating something unique.” Unorthodox locations are a common feature in Shanghai for Western-led theatre companies. SRT have, unusually, carved out their own little corner at the Ke Center, a partnership which has seen the company go from strength to strength with an incredible work ethic producing a surprisingly large number of productions each year. Swedish director Maja-stina Johansson’s production this winter promises to bring a fresh twist to the fantastical family classic. Over-reaching is not a word many of Shanghai’s theatre companies are aware of. Urban Aphrodite, fresh off the back of their success with Glengarry Glen Ross, will be presenting not one but two productions in the coming weeks. The first, The Complete Works of William Shakespeare SHANGHAI247.NET (Abridged) (Revised) directed by Shanghai stalwart Jason Lasky, opens on November 14th and runs until the 24th at Sasha’s intimate 3rd Floor. Promising to be a riotous journey through all 37 of The Bard’s plays in under two hours, comedic turns from the three-strong cast should provide a delightful evening full of verse accompanied by live music from TS (Tom Sharrock), and gives those of us already washed out from too much Shakespeare at school a chance to experience England’s greatest playwright from a refreshing perspective. Urban Aphrodite’s very own Ann James spoke to me about what she would like to see happen: “My dream is that more theatre companies sprout up… I want Shanghai theatre to grow and to grow with new inspiration, certainly with experimental theatre.” ? Demonstrating their willingness to present a » 247TICKETS.CN