PULP: JUNE/JULY 2013 OCTOBER/NOVEMBER 2013 | Page 4

PAGE?3 WITCH HATS MOST PSYCHOTIC BOY BAND’Dom Bangay-Wilding WE MEET ‘MELBOURNE’S BILLED AS ‘MELBOURNE’S MOST PSYCHOTIC BOY BAND’, Witch Hats will be hitting up Shanghai on November 1st (at 390) and the QSW Culture Centre as part of the Wood and Wires Festival. We put a few questions to Kris Buscombe (vocals, guitar) and Rob Wrigley (guitar) and they sent us some of the longest and most entertaining answers we’ve ever seen. We’re fitting in what we can here, but check online for the whole thing, which is brilliant. F ull of dark humor, energy, and described as ‘disagreeably loud,’ this looks set to be one of those gigs that you’ll remember for a while – at least the weeks it’ll take you for your ears to stop ringing. Support from Yang Haisong’s After Argument and Parisian duo One Lick Less add to the joy at 390. You went on a very successful tour of the US a couple of years ago. What’s the most important thing you took away from the whole experience? I don’t know if I learned much on that tour. If I did I’ve forgotten it! There’s so many different angles that pop into my mind. It feels weird now, as bands tour the USA constantly and it’s not really that big of a deal, but to me that trip stands out as one of the highlights of my life. I’ve always loved music and planned to be in a band that played it. To play around the USA for a few months seemed like such an unattainable and unrealistic thing, so to actually do it sent me nuts, like actual crazy. I was an animal in a state of existence that fitted me like a toxic glove. We all know it’s a sadistic country politically and sits proudly on its satanic throne of global society, but as an actual country it’s the best place on earth. The people are amazing, the landscapes are mind-blowing. SHANGHAI247.NET It was very debauched, and it’s proven extremely difficult to do more than once. We haven’t been able to secure enough money to go again. When we released our first album things were still running a little hot in the music industry and people were doing crazy stuff to save themselves from the looming collapse. We were given a $10,000 publishing advance and blew it all on that tour. I think that Duncan (previous drummer) really deserves all the credit as he literally booked the whole thing by himself and did an amazing job with it. My imagination swells in that country. We departed Australia with simple plans and left with three months of insane travelling experiences. Any cracking stories from that tour we can actually print? No probably not, all of my favourite parts involve ne