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intense. In ‘Hanging on the Edge’ Sawaya explores the nature of depression with an audacious sculpture of a person seemingly clinging to a wall by one finger. Nearby, his masked figure deals with how people was another me, an artist me, lurking inside. Once I let that side of me out, I have never looked back.’ ? Looking around at the host of sculptures on display, each one seemingly more refined than the last, it’s easy to see why Sawaya doesn’t regret his sw ???????????????aQ????????????????????????????????????????????????????????d?????????????aQ??????????????????????????????1????????????????????$????????????????????????????????????????????????????????????????????d??
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