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ARTICLE
ARTICLE
History of Healing Vibration
Each and every one of possesses or is gifted
with at least one talent that connects us to this
universe, that one special thing which makes
us who we are. For us as for many others out
there, it has been creating outrageous music.
This bond is an eternal one, which resides lifetime after lifetime within our consciousness,
which links us to who we have been and will be.
It is the universal identity that we carry around
which projects our true consciousness.
Creating music is a sacred ritual; A bond within
you and the universal energy that surrounds
you, a communication process that can be
very addictive and irresistible at the beginning.
Learning the true nature of vibration and its behaviour, what it means to be in control over the
resonance that you create is an enlightening experience.
Healing Vibrations have been a part of the human existence since the very beginning. Sparse
writings of ‘Rudolf Steiner’ discuss the musical
system of the ancient Lumarians and Atlanteans. The Lumarians used to listen to a descending musical scale, in which the smallest distance
between adjacent tones was equivalent to nine
of our notes! This music connected the listener
with the divine. The Atlanteans claimed to have
had a descending musical scale with the notes
closer together, yet neighbouring notes still represented seven of our musical notes and had
the ability to connect the listener to his or her
own divine spirit. According to historical documents ancient Egyptian and Chinese music was
believed to be a very powerful controlling influence on the population at that time. Ancient
Egyptian rulers regulated laws and controlled
the music that people were listening to simply by being able to control the vibrations that
were, this way they had a strong influence over
the public. According to Ananda Bosman, international researcher and musician, ancient Egyptian instruments that have been unearthed are
largely tuned to A=432Hz.
The ancient Chinese believed that each musical
note was a connection to the divine spirit within
them. Ancient Chinese rulers orchestrated concerts with 10,000 players, making plentiful and
powerful connections to the divine. They used
twelve notes; each note was five of our notes
apart and was referred to as the ‘Lu Scale’. Musical notes sounding more like floating sounds
similar the wind chimes, with no beginning or
ending. Descending tones that were said to amplify imagination.
The Ancient Greek created modes through tetra chords, which characterized personalities.
Two groups of four notes each created modes,
which resembled our scales. The modes were
evenly named after people who preferred its
mood. According to Steiner, this musical system
enabled spiritual energy to ascend to a greater
level.
Most of these sounds were lost as many languages became extinct over the years. Sanskrit,
Latin and Ancient Hebrew are some of the few
languages that reflect the lost sounds of former civilizations. As civilizations went through
a changing process, so did their languages in
subtle ways, bringing about mental, emotional,
and physical alterations in societies exposed
to the different sounds. As a result in ancient
Greek times, children were not exposed to vowel sounds, as the associated energies were considered too stimulation during people’s early
formative years.
As far as healing frequencies are concerned,
through historical research you will come to
find that the ancient Greek tuned their instruments predominantly to 432Hz. Within the Ancient Greek Eleusinian Mysteries, Orpheus is
the god of music, death and rebirth, and was
the keeper of the Ambrosia and the music of
transformation. His instruments were tuned at
432Hz.
Guiseppe Verdi, an Italian composer, placed A
exactly at 432Hz. He did this because this tuning is ideal for opera voices. Jamie Buturff,
sound researcher, found out that some Tibetan
monks used this tuning in their hand-made instruments. This musical tuning can be found
throughout various religions and cultures of the
ancient world. Before 440Hz became the standard, a variety of tunings were used. The controversy over tuning still rages, with proponents
of 432Hz claiming it as being more natural than
the current standard.
Llewelyn S. Lloyd described in the Journal of the
Royal Society of Arts (1949), his innate drive to
“tune-up” to a “brighter,” more soothing and inspiring frequency than A-440Hz. The British author and composer expressed his preference
for precisely A-444Hz tuning, which manifests
the C-5-pitch at 528Hz. He wrote that this 4Hz
higher pitch is more generally pleasing for musicians worldwide. 528Hz is a frequency that is
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central to the “musical mathematical matrix of
creation”. More than any sound this frequency,
which is also, know as the “Love Frequency” resonates at the heart of everything.
Before coming into any healing frequency it’s
more important to know about 8Hz. It is said
that 8Hz is the fundamental “beat” of the planet. The heartbeat of the Earth is better known
as Schumann resonance and is named after the
physicist Winfred Otto Schumann. Who documented it mathematically in 1952.
The use of Healing Vibrations is been rediscovered, it has been a part of the human existence
and evolvement since the very beginning of every civilization know & unknown.
“Our lives are surrounded by vibrations that
keep us aligned with the universe, change your
vibration and you change the world around
your” – Spirited™
By Misha Whirlwind