Psychedelic eMagazine Feb. 2014 | Page 32

34 HOW TO SERVED BY TUTORIAL TUTORIAL MECHANIMAL MUTAGEN RECORDS FOLLOW HIM AT: Mechanimal launched its first live in October 2009 and has been blasting full power trance music around the globe since. Now with over 20 successful releases and ever growing experience Mechanimal is shaping its debut album ready to drop on dancefloors worldwide! HOW TO 35 Adding punch: Like the “In Polarity” illustration (Fg.1) you can line up samples in phase to get a punchy result. An example is when I layer two clap/snare samples together. I always zoom in to both waveforms and shift one of them to try and match the peak shapes or until it sounds great. You can either listen out for when it sounds punchy or you can shift it until it sounds flat and then flip the polarity, both will result in a punchy sound. As a habit always try reversing the polarity of your sounds to see if it improves the sound, especially on percussive sounds. Psychedelic e-Mag catches up with Mechanimal for this month’s music production tutorial. HOW TO CREATE WIDTH AND PUNCH USING PHASE What is phase? I would refer to this as “Time” or “Sync” for example if something is out of phase it would mean that it is out of time and vice versa. Normally when using this term in music production we are talking about milliseconds. Here is a diagram using two saw waves (1 blue & 1 red) to illustrate this: Fg.1 In phase (In Polarity) 2 Saw waves in phase will sound the s