Popular Culture Review Vol. 5, No. 1, February 1994 | Page 116

112 ^ogular^Cultur^ew the metaphoric navel of my psychological universe was Jackson Square, French Quarter, New Orleans, whose hometown blues and jazz and funky r & b functioned as my holy music, through which I harmonized with the universe. But 1 still assumed that was all just part of a sophisticated secular person's "making do" with Eliadean echoes of the archaic in the modem profane world. Eight years later, however, came the trip home to bury my mother, in the very midst of the time when every important aspect of my personal life was hitting rock bottom. Just six months after that burial, 1 (who had so very rarely visited before) was back in New Orleans again, though not much with my family. I was just being there, just be-ing . . . uptown and downtown, breathing the familiarly fragrant heavy air, letting the native foods of neighborhood places nourish me while I bathed in the sounds of the music, played where it was bom. From salt-water breezes off Lake Ponchartrain to the moist smell of old oak, moss, and homes on Carrollton near Riverbend; from the Garden District’s floweiy freshness to the (Quarter's more acidic sidewalk smells . . . . From po-boys on the porch at Sid-Mar's in Bucktown to the Camellia Grill's pecan pie; from College Inn's crawfish etouffe to good breakfast eggs and grits at the Hummingbird Grill; from Buster Holmes's red beans and rice to the Acme's raw oysters . . . . From live brass bands in Jackson Square (competing with steamboat's calliope) to old jukeboxes playing tmly old records in countless nearby coffeeshops and taverns; from accidentally discovering Rockin Dopsie and his zydeco band playing at noon in Lafayette Park (with very old and very young all dancing, Cajun or improvised style) to seeking out Charmaine with Reggie, Amasa and friends in the evening over at Snug Harbor; from the post-retirement legends playing young at Preservation Hall, to the current masters jamming (much later!—till dawn) at Benny's, to the unknown youngsters singing old (at all hours) over by Lucky's___ Though not really reflective about it at the time, I was instinctively sure of what I was doing, and I did sense it was about healing. Hurting more ways than I could simultaneously feel, having lost everything but my job, I needed no new stimuli. I did need, and somehow knew it, my home place. Then, promptly upon my return to New Jersey!, I stubbornly interpreted the whole experience as mere midlife crisis, relieved by middle-aged indulgence in nostalgia and a visit back home, all tastefully brought back up to Montclair by my