Popular Culture Review Vol. 3, No. 2, August 1992 | Page 29

Like A Pra^er 25 to the fore the issue of female desire via a musical saturation of female experience. One song on the album admonishes a woman to leave her lover if he refuses to open up and express how he feels—the video shows her chained to the bed, one of many oppressed figures in the video. "Till Death Do Us Part" describes a dysfunctional relationship in which the woman leaves and, in a textual move from first person to third person point of view—here again