Popular Culture Review Vol. 3, No. 2, August 1992 | Page 29
Like A Pra^er
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to the fore the issue of female desire via a musical saturation of
female experience. One song on the album admonishes a woman to
leave her lover if he refuses to open up and express how he feels—the
video shows her chained to the bed, one of many oppressed figures in
the video. "Till Death Do Us Part" describes a dysfunctional
relationship in which the woman leaves and, in a textual move from
first person to third person point of view—here again