Popular Culture Review Vol. 27, No. 1, Winter 2016 | Page 77

the  band  presented  them  with  the  single  “Bohemian  Rhapsody”  – a very much anti-radio song nearly six minutes long – was  “yes”  or  “no.”  They  said  “yes.”  But  we  are  left   wondering what they might say today. Works Cited Beatles, The. Anthology. (Book). ---. Anthology. (Record.) Vol. 1, 2 & 3. Produced by George Martin. Apple, Capitol, Emi, 1995-1996. ---. The Beatles. Produced by George Martin. Apple, 1968. ---. Magical Mystery Tour. Dir. The Beatles. Apple Corps., 1967. ---. Revolver. Produced by George Martin. Parlophone, 1966. ---. Sgt’s  Pepper  Lonely  Heart  Club  Band. Produced by George Martin. Parlophone, 1967. ---. Let it Be. (film). Dir. Michael Lindsay Hog. Apple Films, 1970. ---. Let it Be. (Record). Produced by Phil Spector. Apple, 1970. Covach,  John.  “From  Craft  to  Art”  in  Reading The Beatles. Cultural Studies, Literary Criticism and the Fab Four. Womak , Kenneth; Todd F. Davis, eds., Albany: State University of New York Press, 2006, 37-53. Decker,  James  M.  “Baby  You’re  a  Rich  Man:  The  Beatles,  Ideology  and  the  Cultural Moment”  in  Reading The Beatles. Cultural Studies, Literary Criticism and the Fab Four. Ed. Kenneth Womak and Todd F. Davis. Albany: State University of New York Press, 2006. 183-195. Everett,  Walter.  “Painting  Their  Room  in  a  Colorful  Way”  in  Reading the Beatles. Reading the Beatles. Cultural Studies, Literary Criticism and the Fab Four. Ed. Kenneth Womack and Todd F. Davis. Albany: State University of New York Press, 2006, 71-94. Kimsey,  John.  “Spinning  the  Historical  Record:  Lennon,  McCartney and Museum Politics”  in  Reading The Beatles. Cultural Studies, Literary Criticism and the Fab Four. Ed. Kenneth Womak and Todd F. Davis. Albany: State University of New York Press, 2006. 197-213. to establish a meaningful as well as financially satisfactory relationship with their recipient without having to negotiate their artistic vision nor integrity. 76