Popular Culture Review Vol. 27, No. 1, Winter 2016 | Page 28

Campora, Matthew. “Winning  the  War  Against  the  Truth.” Screen Education 67: 103108. Coulter, Gerry. Jean Baudrillard: From the Ocean to the Desert, or the Poetics of Radicality. New York: Intertheory, 2012. Dawson, Jonathan. “American  Heroes,  International  Disasters:  Wag the Dog.” Screen Education 52: 135-140. Doyle, Andrew. “Competing  Realities  in  Wag the Dog.” Screen Education 56: 115-121. Freedland, Jonathan. “Jonathan  Freedland:  Film.” New Statesman 127: 47-48. Hammond, Philip. “Simulation  and  Dissimulation.” Journal of War and Culture Studies 3(3): 305-318. Jordan, Miriam & Julian Haladyn. “Simulation, Simulacra and Solaris.” Film-Philosophy 14(1): 253-273. Kauffmann, Stanley. “Vengeance  and  Vexation.” New Republic 218(5): 24-25. Kirchmann, Kay. “Parallel  Universe:  Reflections  on  the  Suspicion  of  Simulation  in  Media   Theory and Contemporary Film.” ImageScapes: Studies in Intermediality. Eds. Christian Emden & Gabriele Rippl. New York: Peter Lang, 2010. Kooijman, Jaap. Fabricating the Absolute Fake: America in Contemporary Pop Culture. Amsterdam: Amsterdam University Press, 2008. Roberts, James. “Film  Review.” Human Events 54(8): 22. Roos, Paul. “Life  Imitating  Art.” Daily Telegraph (Sydney, Australia), August 31, 2007. Root, Andrew. “A  Screen-based World: Finding the Real in the Hyper-Real.” Word & World 32(3): 237-244. 27