Popular Culture Review Vol. 26, No. 2, Summer 2015 | Page 64

Patricia M. Kirtley and William M. Kirtley (Comics 24). There are 1986 words in the 470 frames of Welcome to the Treehouse (See Appendix B). Seventy-four percent of them are in speech bubbles that carry the action of the story and enable the reader to identify directly with the characters. Fourteen percent of the words are in the background. Sound effects like “POP” (12), “Wwaahh!” (17), and “Swoosh” (51) lend excitement and drama to the story, Twelve percent of the words are in the captions. Even though captions contain the smallest percentage of words, they are important because they give the reader the title of the story and set the scene. If the reader does not get the joke or understand the story, it is most likely due to missed information to surmount is the tendency of the reader’s eye to wander” (Comics 41). Characters – boys, girls, pets, monsters, and adults Barthes calls the obvious meaning the denoted level (65). The viewer sees polysemous images in the frames of a comic book. Artists call a page with one frame a splash page. If there is no frame, the artist has a reason, It introduces the plot and characters. A frame is the literary equivalent of a paragraph. McCloud notes that the images within a frame act like adjectives and adverbs (11). Analysis of the characters depicted in the frames of Welcome to the Treehouse (N=470) indicate that Balthazar and Franco do not usually use characters or objects in the background, except to set the scene in the opening frame. The characters act more like children than superheroes. This, much to the dismay of committed DC fans. universe. Boys (39%) outnumber girls (27.4%). The portrayals of cute animals (21.9%) and monsters (6.4%) exceed the portrayals of adults (4.7%) (See Appendix C). All categories of characters appeal to young boys and girls. Boy and that Baltazar and Franco portray so few adults. The parents of two of the Tiny Titans, Rose and Raven, are the principal, Mr. Slade and a substitute teacher, Mr. Trigon, at Sidekick Elementary School. Patterned on evil characters from the DC universe, Baltazar and Franco portray these adults as being mildly annoying or overwhelmingly kind. The two girls comment on their fathers, “This is so embarrassing” (8). 61