Popular Culture Review Vol. 26, No. 2, Summer 2015 | Page 47

Popular Culture Review - Volume 26, Number 2 - Summer 2015 “The Young Person’s Guide” to Moonrise Kingdom: Wes Anderson’s Theme and Variations on a Theme and Variations of Benjamin Britten Todd GilesA A Moonrise Kingdom (2012) explores the trials and tribulations of trying to hold onto one’s innocence in a world of surrogate families and estranged or deceased parents. One of the ways Anderson accentuates this theme is might argue that Anderson is seemingly able to hold on to his own childhood (and those of us who were born in the late 60s and early 70s) by making his presence as the director aurally and visibly felt on the screen through his diegetic and extradiegetic musical choices. As with The Royal Tenenbaums (2001) and The Life Aquatic (2004), Moonrise Kingdom deconstructs the fourth wall by experimenting with what music can and should do in the medium. Even Moonrise utilizes music to frame the story’s action in both subtle and obvious ways. In the latter sense, Moonrise is narratively framed around two children’s works by British composer Benjamin Britten: The Young Person’s Guide to the Orchestra (1946) and Noye’s Fludde (1958). diegetically with the beginning and ending narration of The Young Person’s Guide performance of Noye’s Fludde a year earlier—and the cancellation of its more subtly, though, Anderson mimetically structures the plot of Moonrise around the program of The Young Person’s Guide itself, in which listeners are introduced to the four families of instruments—woodwinds, brass, strings, and percussion—playing variations on an earlier theme. Moonrise’s theme, or recurring “melody,” if you will, like the four “families” of instruments The Young Person’s Guide breaks down and then reassembles, is seen in the four surrogate families our young hero, Sam Shakusky, tries to establish interest, Suzy Bishop, and with his future foster-father, Captain Sharp. What links these four families together are a series of “variations” in the form of an escape motif from one family to the next, as each is subsequently introduced, A Midwestern State University 44