Popular Culture Review
genuine and refreshing artistry. Practically opposing this variety and musical
American Idol, “approach[ing] the history of American music as
one big popular songbook, to be regurgitated and occasionally re-interpreted
but never added to or advanced, celebrating originality at times but mostly
valuing the ability to conform to pre-existing pop ideals” (Unterberger 3). If
these assertions are not proof enough of the disparity between the show
and diverse musical talent, even Cowell doesn’t hesitate to agree. “A singing
poet? It just bores me to tears,” claimed Cowell. “I’ve got to tell you, if I had
viewers a week. I don’t believe the Bob Dylans of this world would make
‘American Idol’ a better show” (3).
Steering the Musical Vessel Off-Course
Although contestants that advance in the competition must possess
clear vocal talent, the series has sadly conditioned audiences to expect
different attributes from an artist than just commendable vocal skills. Viewers
want to see beautiful people contending with each other; they want to share
struggles with the contestants that have worked so hard to compete on the
show; they want to believe that an everyday person from Texas can become
the performers. The emotionally and visually stunning overtures are derived
from the glamorous and elaborate set construction and the musical talent
(the performers that enable singers to accompany live music) backing the
of the show’s format in season three. The wardrobe, makeup, lighting, and
set design teams all crafted makeovers for the stage and the contestants; the
and the cameras became more adventurous, magnifying the energy and
emotion by sweeping across all angles to capture dramatic or quiet moments.
For those with behind-the-scenes access to this creative environment, it is
understood that its team of professionals are “the best in the world at what
Idol contestants have successful careers,
Americans relate their success to the themes and aesthetics of the show,
Dylan, who as stated before, clearly would fail to advance on the show. A
viewer’s psychological perspective of musical talent becomes obscured when
watching the show (Levitin). There is not much similarity between watching
American Idol and viewing a songwriting showcase at Nashville’s Bluebird
Café or attending a rock concert at Atlanta’s Variety Playhouse. The former
the latter examples promote the originality and creative musicality of the
artists.
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