Popular Culture Review Vol. 25, No. 2, Summer 2014 | Page 63

59 But the world created by the writers of Breaking Bad is not really a place where anything goes, damn the consequences. In the world of Walt White, bad choices do ultimately have bad consequences. In fact, the notion that there is no absolute truth, that the universe is without order and meaning, is called into question by at least two episodes from the series. The first is episode three of season one. Here, Walt and Jesse are scrubbing the hallway floor of Jesse’s house, removing the blood stains and whatever else is left of Cra y Eight’s brother Emilio. Jesse’s attempt to dissolve Emilio’s corpse in a bathtub of muriatic acid has failed miserably. It is then that Walt remembers standing at a blackboard years ago in college and breaking the human being down into its chemical components. His lab partner is behind him, watching him work. The calculation does not add up, as it should, to 100%. In fact, Walt’s calculations are .111958% short. Surprised by this oversight, Walt comments, “There’s got to be more to a human being than that.” As the lab partner later mentions, this missing element is the soul (“And the Bag’s in the River” 1:03). The question concerning the existence of the soul poses a dilemma, the full significance of which is quickly fading in a culture whose college educators, at least according to Richard Asma, professor of philosophy at Columbia College Chicago, hesitate to initiate classroom discussions about something for which there seems to be virtually no empirical evidence. If there is no soul (as Asma contends), if there is nothing beyond death, if the human being is no more than a mixture of chemicals in a random universe — as Count Leo Tolstoy thought before his conversion — then surely the world we inhabit and the lives that we live are without any order or meaning — or our lives take on meaning only by virtue of our own choices. Moral systems become no more than social