Popular Culture Review Vol. 24, No. 2, Summer 2013 - Page 115

Becoming the One Who Knocks 111 me clue you in. I’m not in danger, Skyler. I am the danger. A guy opens his door and gets shot. You think that o f me? No, I am the one who knocks. (“Com ered”) By focusing Breaking B a d s plot around W alter’s lawless pursuit o f wealth, Vince Gilligan created a series that advocates the American dream while simultaneously negating its achievement through conventional channels. W alter becomes a successfiil man by breaking free o f institutionalized norms and appropriating his society’s aspirational references through the distribution o f methamphetamine. Because o f this, Breaking Bad exposes the motivations that lead many individuals to venture down a path o f crime and successfully critiques criminality in America as a response to social strain. University o f Mary Hardin-Baylor Patrick Osbome W orks C ited Agnew, Robert. “A Revised Theory o f Delinquency.” Social Forces 64.1 (1985): 151-167. Print. Anderson, Elijah. Code o f the Street: Decency, Violence, and Moral Life o f the Inner City. New York: Norton, 1999. Print. Bossert, Ray. “Macbeth on Ice.” Breaking Bad and Philosophy: Badder Living Through Chemistry. Ed. David R. Koepsell and Robert Arp. Chicago: Carus, 2012. 65-78. Print. Breaking Bad. “Various Episodes.” Creat. Vince Gilligan. AMC Networks/Sony Pictures Television. 2008-2013. Television. Chastek, Benjamin, Carolyn Harley, Joel Kallich, Lee Newcomer, Carly J. Paoli and April H. Teitelbaum. “Health Care Costs for Patients with Cancer at the End o f Life.” Journal o f Oncology Practice 8.6 (2012): 75-80. Print. Fuchs, Victor R. “Major Trends in the U.S. Health Economy Since 1950.” The New England Journal o f Medicine 366.11 (2012): 973-977. Print. Hutton, Fiona. “Risky Business: Gender, Drug Dealing and Risk.” Addiction Research and Theory 13.6 (2005): 545-554. Print. Koepsell, David R. and Robert Arp. “A Fine Meth W e’ve Gotten Into.” Breaking Bad and Philosophy: Badder Living Through Chemistry. Ed. David R. Koepsell and Robert Arp. Chicago: Carus, 2012. vii-ix. Print.