Popular Culture Review Vol. 23, No. 2, Summer 2012 | Page 55

The World Upside Down 51 personalization of death, the depiction of ordinary life in extraordinary times, and the use of drawings to convey themes, emotions, and loss and grief. The story may be summarized as follows: “Trying to make sense of the horrors of World War II, Death relates the story of Liesel—a young German girl whose book-stealing and story-telling talents help sustain her family and the Jewish man they are hiding, as well as their neighbors” (iv). Zusak repeatedly uses the literary device of foreshadowing to pull the reader into the story. Death, the first-person narrator, is intrigued by young Liesel Meminger and her life in the German town of Molching, on Himmel Street (ironically, “heaven” street), between 1939 and 1943. After a devastating bombing of Himmel Street in 1943, Liesel emerges from her basement refuge where she has been writing her own life story, entitled The Book Thief. She loses her book manuscript in the rubble. Death retrieves her book, and as Zusak’s novel begins, Death decides to share with us Liesel’s story from her own book, which he has carried with him for many years since the 1943 bombing of Molching. The organizing plan of Zusak’s novel is to move from book to book that Liesel steals during her suffering and pain, and to connect each book to her maturing years from 1939 on. The first book Liesel steals is The Grave Digger’s Handbook. She is nine years old, almost ten, in January 1939 when her younger brother dies on the train taking her and her mother to Munich. Liesel and her brother are to be placed with foster parents in Molching, for Liesel’s mother and husband are being persecuted as communists by the Nazis. Her mother and Liesel have to bury the young boy en route before reaching Munich. At the gravesite, one of the young grave diggers leaves behind The Grave Digger’s Handbook, the manual which Liesel takes and prizes in her pain, even though she cannot read most of the words. Merely having the book helps her cope with the suffering of her brother’s death. Later on, her foster father Hans Hubermann will discover this book under Liesel’s mattress and begin to teach her to read the twelve-step guide to grave-digging success. According to Death, the meaning of Liesel’s first stolen book is that it reminds her of the last time she saw her dead brother and her birth mother. Her sacrifice of these two loved ones is connected with the manual, and the manual gives her some comfort or solace, even before Hans teaches her how to read at night when Liesel wakes up from her nightmares. Hans starts with the alphabet. Liesel is now ten years old, significantly lagging behind her schoolmates in reading and writing ability. Meanwhile, Molching and Germany in general are depicted as increasingly coming under Nazi tyranny. This is a state in which the Jewish people are persecuted mentally, emotionally, and physically every ordinary day. For Liesel, learning to read and, eventually, to write means empowerment. Stealing books allows her to preserve her “self’ during the chaos of war in Germany. For Christmas, 1939, her foster parents Hans and Rosa give Liesel two small popular children’s books: Faust the Dog and The Lighthouse.