Popular Culture Review Vol. 23, No. 1, Winter 2012 | Page 57

To My Sons 53 but this time was an exception. Inside the bag was a shirt -- a kind of bright blue with this strange red design repeated all over the shirt. It was one of the worst looking shirts I had ever seen. But of course, Joey, Anton (excuse this syntax change -- this is both to you and for others), that’s just it. It was the gesture, the meaning behind it. It was the Crosscut Literary Prize Shirt! And, you see, it’s as vivid in my mind as it was thirty years ago. I came to understand through a couple of conversations with friends just before I got on my motorcycle and headed cross-country home with my degree and blue shirt packed in my saddlebags that some people thought I was very poor while I was a student there. I’m not sure if I was or not —I know I didn’t have a lot of clothes and never ironed one piece of clothing. But I worked part-time in a gas station and part-time tutoring other students in the college writing lab, and I had money to buy books, and have a few beers at the bars (a quarter each!) where we met several times a week with professors to talk about the world in which we lived. I do remember Sunday nights not having any cereal or milk left and being a bit hungry, but on Monday mornings I could make it to the cafeteria at school where I could get two meals a day. No. I was not poor - it’s just that the things that mattered at that time were not clothes, or video games, or cell phones, or Big Macs. And maybe that’s what’s different, and maybe that’s why the lessons of literature seem less clear to us now, and why I’m always trying to say something about the intent of a poem and the purpose of telling a good story. The kindness behind the giving of that b