Popular Culture Review Vol. 22, No. 1, Winter 2011 | Page 105

Eating a Meal with the Other 101 Bourdain’s Indigenous Tourism Over the course of an average show, Bourdain narrates a selected history of the location, visits a local market, and is given a culinary tour of the city through the assistance of one or two natives. The tour usually includes a home-cooked meal with a family, a sampling of street food, and an education in the regionally produced alcohol, rarely venturing into upscale venues. This type of tourism is known as “indigenous tourism,” since Bourdain is travelling to a remote location that is not easily accessible to the average tourist and contacting indigenous peoples and their culture (M.K. Smith). While this type of tourism is growing in popularity, it is Bourdain’s encounters with host families and locals, as well as his narration of the country’s culture that may be seen as problematic. Patai offers an important foundation for examining these problems in her essay, “U.S. Academics and Third World Women: Is Ethical Research Possible?” Patai’s ethical dilemma of researching third-world women can offer a critical framework for analyzing travel shows like No Reservations, which offer an everyday media representation of a very similar act. In her essay, Patai worries that white, middle-class academic researchers who choose poor, nonwhite individuals as their research subjects are participating in a system troubled by steep inequalities that cannot be overcome. Patai argues: In addition to the characteristics of race and class, the existential or psychological dilemmas of the split between subject and object. . . imply that objectification, the utilization of others for one’s own purposes. . . and the possibility of exploitation, are built into almost all research projects with living human beings. (Patai 139) These problematic constraints are similarly present in the case of the travel food show, where the individuals from the country being profiled are necessarily objectified and possibly exploited for the creation of an appealing program. The format of a travel show is such that a crew of American technicians descends on a foreign locale, where they develop contacts with local informants who can act as tour guides for the short period of the filming. The individuals who serve in these roles have little to no say in how they are represented, and are simply used for their cultural knowledge. As Smith finds is often the case in indigenous tourism, “the local populations are usually immobile both physically and financially, at least in touristic terms; therefore their role will never be more than that of serving tourists” (M.K. Smith 172). These problems with travel shows are particularly marked in the case of travel food shows like No Reservations, which consistently operate under the assumption that other cultures are exotic and exciting because their food is so different. Long defines culinary tourism as “the intentional, exploratory participation in the foodways of an Other, participation including the consumption . . . of a food item, cuisine, meal system, or eating style considered