Popular Culture Review Vol. 21, No. 2, Summer 2010 | Page 60

56 Popular Culture Review their own characters within the narrative. Cauldron o f Fire by ‘exituslO ’, for example, tells a story that builds up to the canonical Twelfth Black Crusade’, but sets the story on the non-canonical planet of Sordin II with a whole cast of invented dramatis personae.8 Similarly, The Garras War by ‘M rK ibbles’ takes place in the aftermath of the canonical Medusa V campaign (an event run by Games Workshop in 2006) its narrative featuring, again, a range of invented characters.9 Refocusing the Camera In addition to seeking to fill gaps within the canon, a great deal of W40K fanfiction also seeks to ‘refocus the camera’ within the W40K universe by telling the ‘little stories’ that are, while implicit within the canon, again, never fully explored in official sources. As ‘Rene’ and ‘Lee’ respectively explained: Action is secondary. I mean, sure, you can write about the great victory of the Cadian 7th against Hive Fleet Carcassone, but what really is that battle? It can be, for example, the nightmares of Trooper Enkoli each night after the battle, or Colonel Farragut facing his own conscience and memory—did he or did he not give the order to fire when his own men were still in the targeted area? Showing HOW the Battle of Maccragge impacted the rest of the Ultramar beyond Maccragge is important. When you see a story in the news about an ongoing war effort, it isn’t a re-enactment of the battle or just a casualty report, but how the war is affecting the people in the military and the civilians around which the war is happening. The human interest so to speak In some ca ͕̰