Popular Culture Review
148
Bidding “Farewell to Bikini”: N a tio n a l G e o g ra p h ic
and United States’s Atomic Testing in the Pacific
The Textual Confessional: Memoirs of Societal
Taboos and Personal Dysfunctions
The Woman Athlete Revealed: The Problem of
Get-Ups and Glitter for Female Olympians
Broken Bodies, Disruptured Landscapes:
Landmines as Bio-Power in Afghanistan and
Cambodia
“Screening” the Sexuality of Jean-Michel Basquiat:
The Artist in Two Films
China and the Fad for Japan in Onoto Watanna’s
Scott C. Zeman
Dennis Russell
Carol-Ann Farkas
Arthur Saniotis
Christopher F.
Johnston
Ellen Dupree
C h in e se -J a p a n e se C o o k B o o k
“I’m a Crook”: Representations of the U.S.
President in Popular Literature
Poker is “Going to the Dogs”: The Artistry of
Cassius Marcellus Coolidge
Book Reviews:
O n c e U p o n a T im e: A P e r s o n a l G u id e to
T e llin g a n d W ritin g Y o u r O w n S to ry
Jeffrey Johnson
William Thompson
Reviewed by Mellissa
Llanes Brownlee
by Ross Talarico
L u c ille C lifto n : H e r L ife a n d L e tte rs
by Mary Jane Lupton
F r o m R u s s ia w ith L o v e : A 5Cfh A n n iv e rsa ry
V a le n tin e T itle
by Ian Fleming
Volume 18, Number 2 * Summer 2007
The Monster at the End of This Essay
Thinking Things Through: A Meditation on H.
Peter Steeves’s T h e T h in g s T h e m se lv e s:
Reviewed by Caroline
Maun
Reviewed by Adam
Henry Carriere
H. Peter Steeves
Dennis Rohatyn
P h e n o m e n o lo g y a n d th e R e tu rn to th e E v e ry d a y
What’s Good for the Goose is Good for the Gander:
Interpreting Marge Piercy’s H e, S h e a n d It
The Subversive Undercurrent to F o s te r 's H o m e f o r
I m a g in a r y F r ie n d s : Blooregard Q. Kazoo
Decontextualizes American Popular Culture
Parks and Wreck: Amusement and Anxiety at
Tum-of-the-Century Coney Island
“I Dreamed I saw Joe Hill Last Night”: The IWW’s
Lost Legacy in American Popular Culture
Theremin Blind
Brook Brayman
Amy M. Green
Chris Kamerbeek
Ron Briley
Joey Skidmore