Popular Culture Review Vol. 18, No. 1, Winter 2007 | Page 35

Bidding ^Tarewell to Bikini^ 31 tomorrow.’’ 1 refrained, because there would be no returning for me—nor perhaps for them. Civilization and the Atomic Age had come to Bikini, and they had been in the way.*' A little less than a year after Markwith’s essay appeared. National Geographic ran photographs of the Bikini tests. The photographs provided visual confirmation of the power of the American authored Atomic Age. One of the photograph captions effused that “Uranium Explodes with the Power that Lights the Stars,” while another proclaimed, “Swift and Silent, Its Mushroom Cloud Rises from Bikini L a g o o n . T h e camera’s focus is on the mushroom cloud. The Marshallese have disappeared from the record and from the narrative of the tests—they simply ceased to exist. Just as life in the lagoon had been obliterated by the atomic blasts, so too were the Bikinians erased. The atomic bomb is a powerful eraser of people, of memory, of history. “The Evil Demon of Poison” We also need to look beyond National Geographic to recover alternate stories of the exile and testing. In 2001, Jack Niedenthal published a collection of oral histories of the original Bikinian exiles and their descendants. Rubon Juda, son of “King” Juda who had led the Bikinians through the relocation, remembers the Americans did come to see us. 1 recall that while we were still on Rongerik some ri-hellies [“Americans” or “foreigners”] came and showed us pictures of the bombs that they were about to detonate on Bikini.” They presented us with globes of the earth to explain where America and Bikini were located. Afterwards, they asked Juda, my father, to travel with them from Rongerik to Bikini in ܙ\