Popular Culture Review Vol. 18, No. 1, Winter 2007 | Page 19

Chef Appeal 15 man comes across as a big cuddly family guy. Prancing around the kitchen set like Santa Claus, he serves up heaping portions of familial conviviality with his dishes by repeating such hearth-conjuring slogans as, “It’s a food-of-love thing!” In fact, most of the time when any chef is filmed in a kitchen, he or she is demonstrating recipes viewers are supposed to be able to do at home, and doing so in home-scaled quantities, so that the analogy of the TV kitchen to the home kitchen is ubiquitous. Against the symbolic backdrop of domesticity, the chef plays a role equally impressive in competence and passion as that of his or her professional alter ego. On television, he or she is not Just a homemaker like you or me but a veritable domestic shaman, healer, and enhancer of all bonds interpersonal. In Tyler Florence’s Food 911, the chef answers to house calls, many asking him to rectify their degeneration of traditional recipes. In the process, Florence salvages nothing less than family history and ethnic pride. He can also help people to woo a date or spice up a marriage by teaching them the culinary tricks that ensure flawless reproduction of the favorite dishes of their loved ones. Chefs like Florence—including Alan Harding on Cookin' in Brooklyn, Rosemary Schraeger in Rosemaiy: Queen of the Kitchen, and Markus Sammuelson of Inner Chef (dA\ on the Discovery Home channel), and Curtis Stone’s Take Home Chef (on TLC)—consistently play the dens ex machinas of domestic events, swooping in to save potentially disastrous dates, parties, and family reunions. Less interventionist in their devices, but equally committed to the illusion of incessant and impassioned home entertaining, are such Food Network shows as Easy Entertaining with Michael Chiarello, Giada DiLaurentis’s Evetyday Italian, and the programs of Jamie Oliver—which invariably feature the chefs preparing a menu followed by montages of them serving it up to cozy gatherings of friends, partners, or family members. As a manual laborer, the televised chef in the kitchen matches every primitivistic portra